Commentary — September 1, 2011, 9:38 am

September Issue Links

Dear Readers,

The September issue should now be in subscribers’ hands. If you’re not yet a subscriber and haven’t picked up a copy of the magazine, it’s also on newsstands around the country. (Subscribing is, of course, an excellent idea, at $19.97 for 12 issues or $29.97 for 24, plus access to an archive that reaches back more than 160 years.)

For those who have the issue or want a preview, we’ve assembled some web links to sources and other material related to our September columns and features:

In “A Letter to Barack Obama,” George McGovern discusses possible cuts to the U.S. defense budget, as proposed by Lawrence J. Korb of the Center for American Progress. Korb’s findings are summarized over at CNN. Since the September issue went to press, he has also written a follow-up article at CAP in which he refines his ideas in light of the debt-ceiling deal.

Darryl Pinckney’s “Deep in the Bowl” traces the history of the New Orleans mayorship since Ernest “Dutch” Morial became the city’s first black mayor. (Ray Nagin, mayor during Hurricane Katrina, was its fourth.) If you have a few hours to spend absorbing late-1980s funeral rites, Dutch’s memorial is online. But you might prefer to remember him by this 1979 speech to the NAACP:

Pinckney also mentions the stunning architecture of New Orleans’s cemeteries, which are well represented on YouTube — particularly the St. Louis Cemetery, the city’s oldest and most renowned sarcophagorium. The best way to sample New Orleans’s boneyard architecture, though, is obviously to watch the NOLA acid-dropping scene from Easy Rider:

Bruce Davenport Jr.’s New Orleans portfolio “Parade’s End” contained an incorrectly oriented image. The illustration is displayed properly below, and you can click here for a larger version:
davenport600px

Elif Batuman alludes to iPhone footage of the Dante Marathon in Florence in “A Divine Comedy.” This clip, set to a truly infernal Los Campesinos! song, lends a sense of the festival (formally named the 100 canti per firenze), while the one below shows an impassioned reading from Canto XXXIII of the Inferno, the same section from which Batuman’s reading was drawn:

Grammarphiles will also want to read Batuman’s two blog posts about the debate she and her editor had over her use of the word “douchebags” in the following passage: “[T]his is one of the basic messages in Dante: nothing is ever truly lost. Dante goes to the afterworld and everyone is there: Homer, Moses, Judas, Jesus, Brunetto Latini, Beatrice, all the thousand and one douchebags of Florence.” After a flirtation with “sleazebags,” it was decided that “douchebags” would be the descriptive noun of record. (In case you think us uptight, please note that an earlier reference to The Big Lebowski passed without incident.) Two final web-friendly tidbits from the piece: The image of Dante’s reconstructed head, and the website of Dante’s descendants, the Serego Alighieri.

The form used in Anthony Lydgate’s Annotation, “Conduct Unbecoming,” can be found on the U.S. military’s website, and we agree with Jonathan Dee in “The Pretender” that the MySpace page of the musician Richard Frasca, a.k.a. Jon Denmar, is worth a visit.

Share
Single Page

More from Harper’s Magazine:

Memento Mori September 2, 2014, 5:33 pm

Charles Bowden (1945–2014)

Mentions July 16, 2014, 7:00 pm

“The End of Retirement” on MSNBC

Watch Jessica Bruder on MSNBC’s The Cycle

Official Business June 25, 2014, 8:00 am

Garry Winogrand at the Metropolitan Museum of Art

A retrospective exhibition from June 27 to September 21 in New York City

Get access to 164 years of
Harper’s for only $39.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

October 2014

Cassandra Among the
Creeps

= Subscribers only.
Sign in here.
Subscribe here.

“Today Is Better Than Tomorrow”

= Subscribers only.
Sign in here.
Subscribe here.

PBS Self-Destructs

= Subscribers only.
Sign in here.
Subscribe here.

The Monkey Did It

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
“This is not a fable about a young woman whose dreams were dashed by a sexual predator. Maya’s narrative is one of institutional failure at a school desperately trying to adapt.”
Photograph © AP/Josh Reynolds
Article
Kandahar’s Mystery Executions·

= Subscribers only.
Sign in here.
Subscribe here.

“He told me he was made to stand on an ice block for thirty minutes at a time, and would then be forced to run barefoot across the gravel while an officer cable-whipped him.”
Photograph (detail) © Victor J. Blue
Article
The Tale of the Tape·

= Subscribers only.
Sign in here.
Subscribe here.

“Heroin isn’t the weakness Art Pepper submits to; it’s the passion he revels in.”
Photograph (detail) © Laurie Pepper
Post
Art Beyond Politics·

= Subscribers only.
Sign in here.
Subscribe here.

Arab artists take up — and look past — regional politics
“When everyday life regularly throws up images of terror and drama and the technological sublime, how can a photographer compete?”
“Qalandia 2087, 2009,” by Wafa Hourani
Criticism
The Soft-Kill Solution·

= Subscribers only.
Sign in here.
Subscribe here.

"Policymakers, recognizing the growing influence of civil disobedience and riots on the direction of the nation, had already begun turning to science for a response."
Illustration by Richard Mia

Chance that a civilian who died in a 20th-century war was American:

1 in 62,000

A physicist calculated that mass worldwide conversion to a vegetarian diet would do more to slow global warming than cutting back on oil and gas use.

“All I saw,” said a 12-year-old neighbor of visits to the man’s house, “was just cats in little diapers.”

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

In Praise of Idleness

By

I hope that after reading the following pages the leaders of the Y. M. C. A. will start a campaign to induce good young men to do nothing. If so, I shall not have lived in vain.

Subscribe Today