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The April 2012 issue of Harper’s Magazine includes “The Warrior Class,” a feature by Charles Glass on the rise of private-security contractors since 9/11. The conclusion to the piece describes a series of videos shown to Glass by a source who had worked for the private-security company Blackwater (now Academi, formerly also Xe Services) in Iraq. Clips and photos from the videos are shown below, introduced by Glass’s descriptions:
The first , identified as “Baghdad, Iraq, May–September 2005,” showed Blackwater convoys racing through town. Suddenly, the door of a Blackwater SUV opened and a rifle fired at passing traffic. “They opened the door,” my companion said. “You should never break the seal.”
A still photo showed some graffiti scrawled on a metal beam: THIS IS FOR THE AMERICANS OF BLACKWATER THAT WERE MURDERED HERE IN 2004 SEMPER FIDELIS 3/5 PS FUCK YOU.
The next tape had been taken by a camera in the turret of an armored vehicle. An [M4A1]
Corrected text. The gun was initially misidentified as an AK47.
fired from the turret at cars that had stopped to let the convoy pass. Whoever was firing the [gun] did so enthusiastically and often, sending rounds into parked cars and an overhead bridge. Another sequence showed a contractor vehicle rear-ending a car, shattering its back windshield.
The footage continued. A Humvee smashed into a car to move it out of the way. Guards swore at passersby. More armored vehicles smashed into civilian cars.
Blackwater helicopters shot at targets below in a Baghdad street.
But what about the tape dated April 1, 2006, which was shot from the front seat of the fourth car in an armored convoy? Driving along a wide boulevard in Baghdad, the lead vehicle swerved close to the curb of a traffic island. A woman in a black full-length burka began to cross the street. The vehicle struck the woman and knocked her unconscious body into the gutter. The cars slowed for a moment, but did not stop, nor did they even determine whether the victim was dead or alive. A voice in the car taking the video said, “Oh, my God!” Yet no one was heard on the radio requesting help for her. Most sickeningly, the sequence had been set to an AC/DC song, whose pounding, metallic chorus declared: “You’ve been . . . thunderstruck!”
The tape ended with the inscription IN SUPPORT OF SECURITY, PEACE, FREEDOM AND DEMOCRACY EVERYWHERE.
More from Harper’s Magazine:
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Listen to the broadcast version of “American Hustle,” Alexandra Starr’s story, for the April 2015 issue of Harper’s Magazine, about how elite youth basketball exploits African athletes.
Official Business — January 8, 2015, 3:57 pm
We defend Charlie Hebdo’s right to publish its cartoons—and our right to critique them.
Freddie Gray’s relatives arrived for the trial in the afternoon, after the prep-school kids had left. By their dress, they seemed to have just gotten off work in the medical and clerical fields. The family did not appear at ease in the courtroom. They winced and dropped their heads as William Porter and his fellow officer Zachary Novak testified to opening the doors of their police van last April and finding Freddie paralyzed, unresponsive, with mucus pooling at his mouth and nose. Four women and one man mournfully listened as the officers described needing to get gloves before they could touch him.
The first of six Baltimore police officers to be brought before the court for their treatment of Freddie Gray, a black twenty-five-year-old whose death in their custody was the immediate cause of the city’s uprising last spring, William Porter is young, black, and on trial. Here in this courtroom, in this city, in this nation, race and the future seem so intertwined as to be the same thing.
Pairs of moose-dung earrings sold each year at Grizzly’s Gifts in Anchorage, Alaska:
An Alaskan brown bear was reported to have scratched its face with barnacled rocks, making it the first bear seen using tools since 1972, when a Svalbardian polar bear is alleged to have clubbed a seal in the head with a block of ice.
A former prison in Philadelphia that has served as a horror-movie set was being prepared as a detention center for protesters arrested at the upcoming Democratic National Convention, and presumptive Republican presidential nominee Donald Trump fired his campaign manager.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”