Political Asylum — August 30, 2012, 11:52 am

In Search of the RNC Cocktail Lounge

The Texas delegation, which in 2004 distinguished itself by wearing Band-Aids with inked-in hearts on them to mock John Kerry’s service to his country—in the cause of a man who went permanently AWOL from the Air National Guard—was wearing not only the plastic cowboy hats they always favor, but little, red-and-blue matching uniform tops yesterday. They sat together on the campaign floor, looking less like the pep squad at a high school basketball jamboree I’d initially thought than like a brilliant costuming idea thought up by Corky St. Clair.

This Republican convention seems strangely down-at-the-mouth compared to the one in 2008, and shabbily organized compared to the last one I attended in person, in New York in 2004. No one seems to know how to navigate the various blocked-off staircases and escalators of the Tampa Bay Times Forum, a small, undistinguished hockey arena decorated everywhere with the lightning-bolt insignia of the NHL’s Tampa Bay Lightning.

Up on the fifth level, by the cheap seats, is what is designated a “Prayer Room.” It is little more than an indentation in the wall, with a flimsy curtain around it, more of those oh-so-Christian lightning bolts, and a couple of very old and battered Bibles.

No one is praying or reading scripture, though. Instead, they mostly mill about, trying to find their seats, or else refreshments. One middle-aged, balding man in a raspberry-colored polo shirt demands to know where the Republican National Committee cocktail lounge is at. This baffles the unfailingly polite young ushers, and he strides off, silent wife in tow, gnawing aggressively at the end of an unlit cigar. Strangely, in an arena with thousands of people in it, I spot him three times in forty-five minutes, in increasing states of agitation as he searches for his elite watering hole.

“Like Diogenes before him,” Jack says sadly, “he searches for the last open bar.”

Share
Single Page
undefined

More from Kevin Baker:

From the July 2014 issue

21st Century Limited

The lost glory of America’s railroads

Appreciation June 26, 2014, 8:00 am

The Twenty-Three Best Train Songs Ever Written—Maybe

From Johnny Cash to “I’ve Been Working on the Railroad”

New York Revisited June 19, 2014, 8:00 am

The Near-Death of Grand Central Terminal

And how it foretold the 2008 financial crisis

Get access to 165 years of
Harper’s for only $45.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

June 2016

Trump’s People

= Subscribers only.
Sign in here.
Subscribe here.

The Old Man

= Subscribers only.
Sign in here.
Subscribe here.

The Long Rescue

= Subscribers only.
Sign in here.
Subscribe here.

New Television

= Subscribers only.
Sign in here.
Subscribe here.

The Improbability Party

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Post
Helen Ouyang on the cost of crowd-sourcing drugs, Paul Wood on Trump's supporters, Walter Kirn on political predictions, Sonia Faleiro on a man's search for his kidnapped children, and Rivka Galchen on The People v. O. J. Simpson.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Photograph (detail) © Eve Arnold/Magnum Photos
Article
Trump’s People·

= Subscribers only.
Sign in here.
Subscribe here.

"All our friends are saying, load up with plenty of ammunition, because after the stores don’t have no food they’re gonna be hitting houses. They’re going to take over America, put their flag on the Capitol.” “Who?” I asked. “ISIS. Oh yeah.”
Photograph by Mark Abramson for Harper's Magazine (detail)
Article
The Long Rescue·

= Subscribers only.
Sign in here.
Subscribe here.

He made them groom and feed the half-dozen horses used to transport the raw bricks to the furnace. Like the horses, the children were beaten with whips.
Photograph (detail) © Narendra Shrestha/EPA/Newscom
Article
The Old Man·

= Subscribers only.
Sign in here.
Subscribe here.

The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.

Illustration (detail) by Jen Renninger
Article
New Television·

= Subscribers only.
Sign in here.
Subscribe here.

With its lens shifting from the courtroom to the newsroom to people’s back yards, the series evokes the way in which, for a brief, delusory moment, the O. J. verdict seemed to deliver justice for all black men.
Still from The People vs. OJ Simpson: American Crime Story © FX Networks

Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:

$62,000

Kentucky is the saddest state.

An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Mississippi Drift

By

Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'

Subscribe Today