Art

Art — May 10, 2013, 9:00 am

"Vermillion Flycatcher, Arizona, May 1941," by Eliot Porter

Vermilion Flycatcher, Arizona, May 1941

“Vermilion Flycatcher, Arizona, May 1941.” Eliot Porter’s work will be on view through July as part of Artist’s Choice: Trisha Donnelly at the Museum of Modern Art in New York City. © Amon Carter Museum of American Art, Fort Worth, Texas

Art — May 2, 2013, 9:00 am

Wait and watch awhile (high), by Paul Wackers

Wait and watch awhile (high)

Wait and watch awhile (high) was featured in the May 2013 Readings section. Paul Wackers‘s work will be on view in June at Narwhal gallery in Toronto. Courtesy the artist and A.L.I.C.E. Gallery, Brussels

Art — April 29, 2013, 9:00 am

"Untitled (Sumner, Mississippi, Cassidy Bayou in Background)," by William Eggleston

Untitled (Sumner, Mississippi, Cassidy Bayou in Background)

“Untitled (Sumner, Mississippi, Cassidy Bayou in Background)” is now on view as part of At War with the Obvious: Photographs by William Eggleston, at the Metropolitan Museum of Art in New York City. Eggleston’s work was featured in the May 2013 Readings section. Photograph © Eggleston Artistic Trust

Art — April 25, 2013, 9:00 am

Yu Yamauchi, Dawn 15

Dawn 15

“Dawn 15” was on view last December at Miyako Yoshinaga Gallery in New York City. The artist produced his DAWN series while living five months a year for four years in a hut near the summit of Mount Fuji in Japan. Image courtesy the artist and Miyako Yoshinaga Gallery, New York City

Art — April 10, 2013, 8:00 am

At the Bassmasters Classic, by Misty Keasler

At the Bassmasters Classic

With Kevin Van Dam at the Bassmasters Classic in Shreveport, Louisiana, February 24–25, 2012. Photograph by Misty Keasler

For more, see “The Super Bowl! (Of Fishing),” by Paul Wachter, in the April 2013 issue of Harper’s Magazine.

Art — April 5, 2013, 8:00 am

"Repose, Arlington National Cemetery, Arlington, Virginia," by Charlotte Dumas

Repose, Arlington National Cemetery, Arlington, Virginia

“Repose, Arlington National Cemetery, Arlington, Virginia,” a photograph by Charlotte Dumas, whose work was featured in the April Readings section. Dumas’s Anima series, which depicts the burial horses of Arlington National Cemetery as they fall asleep at night, was on view in March at Julie Saul Gallery, in New York City. Courtesy Julie Saul Gallery, New York City

Art — April 3, 2013, 8:00 am

At the Bassmasters Classic, by Misty Keasler

At the Bassmasters Classic

With Kevin Van Dam at the Bassmasters Classic in Shreveport, Louisiana, February 24–25, 2012. Photograph by Misty Keasler

For more, see “The Super Bowl! (Of Fishing),” by Paul Wachter, in the April 2013 issue of Harper’s Magazine.

Art — March 29, 2013, 8:00 am

Untitled, a mixed-media painting by Francis Alÿs

Untitled

Untitled, a mixed-media painting by Francis Alÿs, whose work was featured in April’s Readings section. Alÿs is currently participating in the Sharjah Biennial, in Sharjah, UAE. Courtesy the artist and David Zwirner, New York City/London

Art — March 27, 2013, 8:00 am

from Cuts, Burns, Punctures, by Ishmael Randall Weeks

From Cuts, Burns, Punctures

In a slide projection entitled Cuts, Burns, Punctures, Ishmael Randall Weeks uses found slides from 1970s and ’80s Peru, which he alters to reflect on the violence of the country’s multidecade struggle for democracy. Still courtesy the artist and Eleven Rivington, New York City.

Art — March 22, 2013, 7:25 pm

"Untitled #11," by Jonathan Smith

Untitled #11

“Untitled #11,” by Jonathan Smith, from his series Untold Stories. © The artist. Courtesy Rick Wester Fine Art, New York City

Art — March 1, 2013, 6:18 pm

"Tights, 1987-2011," by Daido Moriyama. © the artist. Courtesy Michael Hoppen Contemporary, London

Tights, 1987–2011

“Tights, 1987–2011,” by Daido Moriyama, whose work appeared in the Readings section of the March issue. © the artist. Courtesy Michael Hoppen Contemporary, London

Art — February 14, 2013, 1:55 pm

St. Valentine's Day — Hawking in Central Park. Harper's Magazine, March 1879. (Stream)

St. Valentine’s Day, 1879 — Hawking in Central Park

St. Valentine’s Day — Hawking in Central Park. Harper’s Magazine, March 1879.

Art — February 11, 2013, 11:20 am

Jetty, Niger Delta. © Samuel James

Jetty, Niger Delta

Jetty, Niger Delta. A man arrives at the end of the day to sell ice cream to children who have finished helping unload diesel fuel from the creeks. © Samuel James

Art — January 28, 2013, 11:00 am

Aria City, Kabul. Photograph by Zalmaï

Aria City, Kabul

Aria City, Kabul. The Aria City project covers 350 blocks, and includes businesses, residences, and social services.

Art — October 19, 2012, 3:09 pm

ress-023

New Hogan Lake, Valley Springs, California. Grant to install shade shelters and renovate picnic tables in Oak Knoll Campground, to reduce future maintenance and enhance visitor satisfaction. Amount of funding provided by the Recovery Act: $275,000

From Ress’s series America Recovered: A Survey of the ARRA, photos from which were featured in the November 2012 issue, accompanying Ian Volner's “The Invisible Stimulus.”

Art — October 19, 2012, 11:09 am

FULFORD_Olympicbars2

A photograph from the London Olympics, by Jason Fulford. More work from this series is featured in the November 2012 issue, accompanying Geoff Dyer's “A Brief Period of Rejoicing.”

Get access to 163 years of
Harper’s for only $19.97

United States Canada

CATEGORIES

THE CURRENT ISSUE

June 2013

Long Division

= Subscribers only.
Sign in here.
Subscribe here.

The Separating Sickness

= Subscribers only.
Sign in here.
Subscribe here.

How to Make Your Own AR-15

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

[Editor's Note]
Why the AR-15 rifle is here to stay,
the conspiracy theories of Room 237,
and more
[Perspective]
The firearm as emblem of personal sovereignty
“Let’s review our recent national paroxysm about guns, shall we?”
Illustration by Jeremy Traum
[Report]
How to Make Your Own AR-15

= Subscribers only.
Sign in here.
Subscribe here.

“Even if federal gun-control advocates got everything they wanted, they couldn’t prevent America’s most popular rifle from being made, sold, and used. Understanding why this is true requires an examination of how the firearm is made.”
Illustration by Jeremy Traum
[Harper's Finest]
Wherein the author enrolls in a clinical drug trial
“This is the heart of the magic factory, the place where medicine is infused with the miracles of science.”
Illustration by Ernst Kreidolf
[Report]
Broken Heartland

= Subscribers only.
Sign in here.
Subscribe here.

“During the early 1990s, farmers throughout the Great Plains began to notice a decline in their wells. Irrigation systems from the Dakotas to Texas dipped, and, in some places, have been abandoned entirely.”
Illustration (detail) by Jeffery Smith

Years of consideration preceding the inclusion of the word “phat” in Random House’s 1996 Compact Unabridged Dictionary:

4

Scientists created crash helmets that stink when cracked and fruit flies to whom blue light smells delicious.

In Belize, a construction company bulldozed a 2,300-year-old Mayan temple to make road fill.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Article — From the May 2007 issue

Manufacturing Depression

By

“This is the heart of the magic factory, the place where medicine is infused with the miracles of science, and I’ve come to see how it’s done.”

Subscribe Today