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Beethoven, Ludwig van (1770–1827)

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Literary notices/Article
By Alfred H. (Alfred Hudson) Guernsey

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The new recordings/Review
By Edward Tatnall Canby

SEE ALSO: Sibelius, Aino; Ponchielli, Amilcare; Dvorák, Antonín; Fiedler, Arthur; Beethoven: Piano sonatas op. 109, op. 111 (Sound recording); Beethoven: String quartet #12, op. 127 (Sound recording); Boston Pops Orchestra; Brahms: Three rhapsodies (B minor, G minor, E flat); Variations and fugue on a theme by Handel, op. 24 (Sound recording); Debussy, Claude; Debussy: La Mer. Ravel: La Valse; Valses nobles et sentimentales (Sound recording); Mitropoulos, Dimitri; Dvorák: Symphony #2 in D minor, op. 70 (Sound recording); Dvorák: Symphony #5 (“New World”) (Sound recording); Grieg, Edvard; Chabrier, Emmanuel; Ormandy, Eugene; Mendelssohn-Bartholdy, Felix; Prohaska, Felix; Slatkin, Felix; Finlandia: Sibelius: Finlandia; Swan of Tuonela. Grieg: Peer Gynt suite #1. Alfven: Swedish rhapsody (Sound recording); Flamenco! (Sound recording); Soriano, Francesco; Schubert, Franz; Suppé, Franz von; Rossini, Gioacchino; Halffter; Hi-fi Fiedler: Rossini: William Tell overture. Rimsky-Korsakoff: Coq d'or suite. Tchaikovsky: Marche slave (Sound recording); Hollywood Bowl Symphony; Alfvén, Hugo; Turina, Joaquín; Bach, Johann Sebastian; Brahms, Johannes; Stokowski, Leopold; Beethoven, Ludwig van; Falla, Manuel de; Ravel, Maurice; Nights in the gardens of Spain (Sound recording); Rimsky-Korsakov, Nikolay; Orchestral masterworks of J.S. Bach (Sound recording); Performances; Tchaikovsky, Peter Ilich; Philadelphia Orchestra; Kubelík, Rafael; Schumann, Robert; Royal Philharmonic Orchestra; Schubert: Octet in F, op. 166 (Sound recording); Beecham, Thomas, Sir; Soriano, pianist. Halffter: Homenaje a A. Machado; Shepherd's dance; Gypsy dance. De Falla: Fantasia baetica. Turina: Consueno; Orgia (Sound recording); Soriano, pianist. Mendelssohn: Variations sérieuses, op. 54. Schumann: Three romances, op. 28. Schubert: Sonata in A minor, op. 164 (Sound recording); St. Louis Symphony; Symphonic dances (Sound recording); Tchaikovsky: Nutcracker suite. Chabrier: Espana. Ponchielli: Dance of the hours. Suppé: Morning, noon and night in Vienna (overture) (Sound recording); Tchaikovsky: The nutcracker (excerpts) (Sound recording); The orchestra—full dimensional sound (Sound recording); Escudero, Vicente; Schiøler, Victor; Vienna Konzerthaus Quartet; Vienna Philharmonia; Golschmann, Vladimir
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The new recordings/Review
By Edward Tatnall Canby

SEE ALSO: Tansman, Alexandre; Grumiaux, Arthur; Bartók, Béla; Bach for percussion: Toccata and fugue in D minor; “Great” G minor fugue; Toccata in F minor; Fugue in C (Sound recording); Bamberg Symphony; Bartók: Sonata #1 for violin and piano (1921) (Sound recording); Beethoven: “Add-a-soloist”: Piano concerto #1; Piano concerto #3 (Sound recording); Goltz, Christel; Haskil, Clara; Shostakovich, Dmitrii Dmitrievich; Kabalevsky, Dmitry Borisovich; Litschauer, Franz; Gilbert and Sullivan: The do-it-yourself H.M.S. Pinafore (Sound recording); Hollreiser, Heinrich; Hindemith: Piano sonata #1; Piano sonata #3 (1936) (Sound recording); Bach, Johann Sebastian; Perlea, Jonel; Hambro, Leonid; Shankson, Louis; Beethoven, Ludwig van; Tipo, Maria; Mozart: Church sonatas for several instruments and organ (Sound recording); Mozart: Sonata in B flat, K. 454; Sonata in A, K. 526 (Sound recording); Badura-Skoda, Paul; Hindemith, Paul; Kempen, Paul van; Performances; Piano concerto #21 in C, K. 467; Piano concerto #25 in C, K. 503 (Sound recording); Strauss, Richard; Mann, Robert; Schumann, Robert; Reinhardt, Rolf; Schumann: Symphonic etudes, op. 13; Scenes from childhood, op. 15 (Sound recording); Shostakovitch: Symphony #1. Kabalevsky: Colas Breugnon suite, op. 24 (Sound recording); Sullivan, Arthur, Sir; Glick, Srul Irving; St. Louis Symphony; Strauss: Metamorphoses (1945); Four last songs (1948) (Sound recording); Tansman: Isaiah, the prophet (Sound recording); Golschmann, Vladimir; Gilbert, W.S. (William Schwenck); Mozart, Wolfgang Amadeus
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The new recordings/Review
By Edward Tatnall Canby

SEE ALSO: A tribute to Lotte Lehmann (Sound recording); Anerio; Schnabel, Artur; Bach: Two-violin concerto; Violin sonata in E (Sound recording); Berlin Chamber Choirs; Monteverdi, Claudio; Farnaby: Canzonets; Music for virginals (Sound recording); Peeters, Flor; Gesualdo; Gibbons: Two fantasias. Locke: Consort #6. Purcell: Pavane and Chacony (Sound recording); Gibbons: Two fantasias. Locke: Consort #6. Purcell: Pavane; Chacony (Sound recording); Farnaby, Giles; Palestrina, Giovanni Pierluigi da; Gliere: Ilia mourometz (Sound recording); Schütz, Heinrich; Purcell, Henry; Italian madrigals (Gesualdo, Monteverdi) (Sound recording); Handl, Jacob; Sweelinck, Jan Pieterszoon; Bach, Johann Sebastian; Lassus; Stokowski, Leopold; Lehmann, Lotte; Beethoven, Ludwig van; Locke, Matthew; Monteverdi: Magnificat: Excs. from Vespri della beata vergine (Sound recording); Motets (Gregorian, Gibbons, Byrd, Palestrina, Victoria, Sweelinck, Handl, Weelkes) (Sound recording); Mozart: Marriage of Figaro; Magic flute (Sound recording); Paganini, Nicolò; Gibbons, Orlando; Palestrina: Supplicationes. Works by Lassus, Byrd, Victoria, Anerio (Sound recording); Performances; Philadelphia Orchestra; Rachmaninoff: Rhapsody on a th. of Paganini; Piano concerto #1 (Sound recording); Randolph Singers; Gliere, Reinhold Moritsevich; Wagner, Richard; Schütz: St. Matthew passion (Sound recording); Schnabel plays Beethoven (Sound recording); Rachmaninoff, Sergei; Weelkes, Thomas; Victoria, Tomás Luis de; Wagner: Parsifal: Lohengrin excerpts (Sound recording); Byrd, William; Mozart, Wolfgang Amadeus
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JULY 2009

BARACK HOOVER OBAMA
The Best and the Brightest Blow It Again
By Kevin Baker

LABOR’S LAST STAND
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WAIT TILL YOU SEE ME DANCE
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