Hindemith, Paul (1895–1963)

SUBJECT OF

REVIEWS (14)

124-125	March 1970 Music in the round/Review Three herren By Discus SEE ALSO: Cardillac (Book); Der Rosenkavalier (Book); Leinsdorf, Erich; Karajan, Herbert von; Keilberth, Joseph; London Symphony Orchestra; Caballé, Montserrat; Opera; Hindemith, Paul; Strauss, Richard; Wagner, Richard; Siegfried Wagner dirigiert Richard Wagner (Sound recording); Solti, Georg, Sir PDF IMAGES
102	May 1962 Music in the round/Review And also . . . By Discus SEE ALSO: Biggs, E. Power (Edward Power); Hindemith: Three organ sonatas (Sound recording); Hindemith, Paul; Performances; Oberlin, Russell; Menuhin, Yehudi PDF IMAGES
109	September 1960 Music in the round/Review And also . . . By Discus SEE ALSO: Fiedler, Arthur; Boston Pops Orchestra; Rossini, Gioacchino; Hindemith: Symphony for band; Concerto music for strings and brass (Sound recording); Ibert, Jacques; Respighi, Ottorino; Hindemith, Paul; Philharmonia Orchestra; Rossini-Respighi: La boutique fantasque. Ibert: Divertissement (Sound recording) PDF IMAGES
99-104	December 1957 The new recordings/Review Stereo—disc and tape By Edward Tatnall Canby SEE ALSO: Nobel, Felix de; Liszt, Franz; Cziffra, Georges; Palestrina, Giovanni Pierluigi da; Bach, Johann Sebastian; Szigeti, Joseph; Liszt: Piano works (Sound recording); Magnetic recorders and recording; Dupré, Marcel; Marcel Dupré plays Mozart and Bach (Sound recording); Ravel, Maurice; Netherlands Chamber Choir; Palestrina: Missa brevis; Missa ad fugam (Sound recording); Hindemith, Paul; Performances; Ravel: Sonata. Hindemith: Sonata #3. Prokofieff: Sonata for violin solo, op. 115; Five melodies, op. 35a (Sound recording); Prokofieff, Sergey; Stereophonic sound systems; Bussotti, Sylvano; Mozart, Wolfgang Amadeus PDF IMAGES
101	September 1957 The new recordings/Review Worth looking into . . . By Edward Tatnall Canby SEE ALSO: Bartók, Béla; Béla Bartók at the piano (Sound recording); Bartók: Concerto for orchestra (Sound recording); Bartók: Sonata for two pianos and percussion; Contrasts (clar. & pf.) (Sound recording); Shostakovich, Dmitrii Dmitrievich; Ansermet, Ernest; Hindemith: The four temperaments; Five pieces op. 44, #4 (educ. music); Funeral music for George V (Sound recording); Kondrashin, Kirill Petrovich; Kurtz; Philippot, Michel; Orchestre de la Suisse Romande; Hindemith, Paul; Philadelphia Orchestra; Schaeffer, Pierre; Prokofieff: Piano concerto #3; Violin concerto #1 (Sound recording); Prokofieff, Sergey; Shostakovitch: Symphony #10 (Sound recording); State Radio Orchestra (U.S.S.R.) PDF IMAGES
102-104	April 1957 The new recordings/Review Skim milk and cream By Edward Tatnall Canby SEE ALSO: Tansman, Alexandre; Grumiaux, Arthur; Bartók, Béla; Bach for percussion: Toccata and fugue in D minor; “Great” G minor fugue; Toccata in F minor; Fugue in C (Sound recording); Bamberg Symphony; Bartók: Sonata #1 for violin and piano (1921) (Sound recording); Beethoven: “Add-a-soloist”: Piano concerto #1; Piano concerto #3 (Sound recording); Goltz, Christel; Haskil, Clara; Shostakovich, Dmitrii Dmitrievich; Kabalevsky, Dmitry Borisovich; Litschauer, Franz; Gilbert and Sullivan: The do-it-yourself H.M.S. Pinafore (Sound recording); Hollreiser, Heinrich; Hindemith: Piano sonata #1; Piano sonata #3 (1936) (Sound recording); Bach, Johann Sebastian; Perlea, Jonel; Hambro, Leonid; Shankson, Louis; Beethoven, Ludwig van; Tipo, Maria; Mozart: Church sonatas for several instruments and organ (Sound recording); Mozart: Sonata in B flat, K. 454; Sonata in A, K. 526 (Sound recording); Badura-Skoda, Paul; Hindemith, Paul; Kempen, Paul van; Performances; Piano concerto #21 in C, K. 467; Piano concerto #25 in C, K. 503 (Sound recording); Strauss, Richard; Mann, Robert; Schumann, Robert; Reinhardt, Rolf; Schumann: Symphonic etudes, op. 13; Scenes from childhood, op. 15 (Sound recording); Shostakovitch: Symphony #1. Kabalevsky: Colas Breugnon suite, op. 24 (Sound recording); Sullivan, Arthur, Sir; Glick, Srul Irving; St. Louis Symphony; Strauss: Metamorphoses (1945); Four last songs (1948) (Sound recording); Tansman: Isaiah, the prophet (Sound recording); Golschmann, Vladimir; Gilbert, W.S. (William Schwenck); Mozart, Wolfgang Amadeus PDF IMAGES
94-96	January 1957 The new recordings/Review Contemporary music By Edward Tatnall Canby SEE ALSO: Foldes, Andor; Bartók, Béla; Bartók: Divertimento for strings (1939). Charles Ives: The unanswered question. Milhaud: Symphony #4 for strings. Skalkottas: Little suite for strings (Sound recording); Bartók: Microcosmos (complete) (Sound recording); Bartók: Music for strings, percussion and celesta (1936); Dance suite (1923) (Sound recording); Surinach, Carlos; Ives, Charles; McPhee, Colin; Milhaud, Darius; Fernadi, Edith; Carter, Elliott; Elliott Carter: String quartet (Sound recording); Fricsay, Ferenc; Hindemith: Nobilissima visione (1938); Symphonic metamorphoses on themes of Weber (1943) (Sound recording); Keilberth, Joseph; Foss, Lukas; Skalkottas, Nikos; Hindemith, Paul; Performances; Philharmonia Orchestra of Hamburg; RIAS Symphony Orchestra; Sessions, Roger; Roger Sessions: Second string quartet. Colin McPhee: Concerto for piano with wind octette accompaniment (1928) (Sound recording); Voisin, Roger; The piano music of Béla Bartók (Sound recording) PDF IMAGES
101	February 1956 The new recordings/Review Worth looking into . . . By Edward Tatnall Canby SEE ALSO: Lewis, Anthony; Quadri, Argeo; Bach: Prelude and fugue in E minor; Fantasia in G; Passacaglia; Fugue in C minor (Sound recording); Monteverdi, Claudio; Corelli: 12 concerti grossi, op. 6 (Sound recording); English Baroque Orchestra; Ensemble Orchestre de l'Oiseau-Lyre; Corelli, Franco; Sweelinck, Jan Pieterszoon; Rameau, Jean Philippe; Bach, Johann Sebastian; L÷illet, John; Marenzio, Luca; Lully: Miserere (Sound recording); Monteverdi. Marenzio: Madrigals on texts from “Il pastor fido” (Sound recording); Organ music from Sweelinck to Hindemith (Sound recording); Hindemith, Paul; Rameau: Hippolyte et Aricie (Sound recording); St. Anthony Singers PDF IMAGES
109-112	December 1955 The new recordings/Review Mr. Briggs and the concert hall By Edward Tatnall Canby SEE ALSO: Foldes, Andor; Dorati, Antal; Beethoven: Piano concerto #2; Piano concerto #4 (Sound recording); Britten, Benjamin; Boston Symphony; Britten: Saint Nicholas (cantata), op. 42 (Sound recording); Britten: Serenade for tenor, horn and strings, op. 31; Folk songs of the British Isles (Sound recording); Britten: Winter words, op. 52; Seven sonnets of Michelangelo, op. 22 (Sound recording); Britten: Young persons' guide to the orchestra. Tchaikovsky: Nutcracker suite (Sound recording); Career in sound engineering; Carnegie Hall (New York, New York); Petri, Egon; Egon Petri plays Liszt (Sound recording); Electronic sound control; Ormandy, Eugene; Liszt, Franz; Briggs, G.A. (Gilbert Arthur); Onslow, Georges; Hans Hopf—Wagner (excerpts) (Sound recording); Hindemith: Nobilissima visione. Brahms: Variations on a theme by Haydn (Sound recording); Brahms, Johannes; Hoffman, Josef; Beethoven, Ludwig van; Minneapolis Symphony; Onslow: Sextet for piano and winds, op. 79; Quintet for winds, op. 81 (Sound recording); Klemperer, Otto; Hindemith, Paul; Performances; Tchaikovsky, Peter Ilich; Philharmonia Orchestra of London; Wagner, Richard; Schumann, Robert; Moralt, Rudolf; Serkin, Rudolf; Schumann: Fantasia in C, op. 17. Brahms: Variations on an original theme, op. 21, #1 (Sound recording); Schumann: Violin sonata #1 in A, op. 105. Brahms: Violin sonata #2 in A, op. 100 (“Thun”) (Sound recording); Theaters; Vienna Symphony PDF IMAGES
102-103	September 1955 The new recordings/Review Worth looking into . . . By Edward Tatnall Canby SEE ALSO: Hovhaness, Alan; Goehr, Alexander; Brahms: New love-song waltzes, op. 65; Six vocal quartets (op. 64, 92, 112) (Sound recording); Handel, George Frideric; Handel: The Messiah (concert version) (Sound recording); Haydn: Symphony #94 (“Surprise”); Symphony #100 (“Military”) (Sound recording); Hindemith: Educational music for instrumental ensembles (strings) (Sound recording); Hovhannes: Khaldis (piano, four trumpets, percussion); other works (Sound recording); Hovhannes: Suite from “The Flowering Peach”; Orbit no. 1; Suite from “Is There Survival?” (Sound recording); Solomon, Izler; Swoboda, Jerzy; Brahms, Johannes; Haydn, Joseph; Levine, Maurice; Netherlands Philharmonic; Hindemith, Paul PDF IMAGES
94-95	July 1955 The new recordings/Review Epoch at Bennington By Edward Tatnall Canby SEE ALSO: Bartók, Béla; Bartók: Concerto for orchestra (1944) (Sound recording); Britten, Benjamin; Bennington; Berlin Philharmonic; Britten: a simple symphony (Sound recording); Britten: Diversions for piano (left hand) and orchestra (Sound recording); Britten: Sinfonia da requiem (Sound recording); Saint-Saëns, Camille; Concerts; Varèse, Edgard; Ormandy, Eugene; Hindemith: Symphony “Die Harmonie der Welt” (1951) (Sound recording); Markevitch, Igor; London Symphony; New Symphony; Hindemith, Paul; Performances; Pears, Peter; Philadelphia Orchestra; Philharmonia Orchestra of London; Saint-Saëns: Le Carnival des animaux. Britten: Young person's guide to the orchestra (Sound recording); Goossens, Eugene, Sir PDF IMAGES
102-103	April 1955 The new recordings/Review Short-hair By Edward Tatnall Canby SEE ALSO: Tcherepnin, Alexander; Ballet méchanique (1924). Brant: Signs and alarms; Galaxy 2 (Sound recording); Chicago Symphony; Mitropoulos, Dimitri; Eastman-Rochester Symphony; Reiner, Fritz; Antheil, George; Hanson; Brant, Henry; Cowell, Henry; Henry Cowell: Symphony #11. Tcherepnin: Suite, op. 87 (Sound recording); Hindemith: String trio #1; String trio #2 (Sound recording); Perlea, Jonel; Liebermann: Concerto for jazz band and symphony orchestra. Strauss: Don Juan (Sound recording); New York Philharmonic; Lockwood, Normand; Hindemith, Paul; Mennin, Peter; Piston: Symphony #3 (1947) (Sound recording); Popular music; Strauss, Richard; Riegger: Symphony #3. Mennin: Symphony #3 (Sound recording); Liebermann, Rolf; Johnson, Thor; Kay, Ulysses; Ulysses Kay: Concerto for orchestra. Normand Lockwood: Concerto for organ and brasses; Quiet design (Sound recording); Riegger, Wallingford; Piston, Walter; Whitney PDF IMAGES
108-111	September 1954 The new recordings/Review Hi-fi: Phonograph vs. “system” equipment By Edward Tatnall Canby SEE ALSO: Ackermann; Arias sung and acted (Sound recording); Schnabel, Artur; Artur Schnabel: Piano concerto (1901) (Sound recording); Bach: St. Matthew passion (Sound recording); Barchet Quartet; C.P.E. Bach: Concerto for orchestra in D (arr. Steinberg). Haydn: Symphony #85 (Sound recording); Bach, Carl Philipp Emanuel; Carl Phillipp Emanuel Bach: Piano concerto in D; Trio for flute, violin and piano (Sound recording); Cellini; Adler, F. Charles (Frederick Charles); Poulenc, Francis; Kreisler, Fritz; High-fidelity systems; Solomon, Izler; Bach, Johann Sebastian; Haydn, Joseph; Kreisler: Quartet in E minor. Paganini: Quartet in E (Sound recording); M-G-M Chamber Orchestra; Mozart: Early symphonies (Sound recording); Mozart: Quartets, K. 80, 155, 156, 157 (Sound recording); Netherlands Philharmonic; Paganini, Nicolò; Hindemith, Paul; Phonograph; Poulenc: Sextette. Hindemith: Quintet (Kleine kammermusik, op. 24, 2) (Sound recording); RCA Victor Orchestra; MacMillan, Ernest, Sir; Vienna Philharmonia; Thomson, Virgil; Virgil Thomson: Four saints in three acts (Sound recording); Mozart, Wolfgang Amadeus PDF IMAGES
110-111	October 1952 The new recordings/Review The new recordings By Edward Tatnall Canby SEE ALSO: Brahms: Violin sonata no. 1 in G (Sound recording); Weber, Carl Maria von; Schubert, Franz; Stravinsky, Igor; Brahms, Johannes; Mozart: Clarinet quintet, K. 581; Horn quintet in E flat, K. 407 (Sound recording); Hindemith, Paul; Schubert: Grand duo for piano four hands, op. 140; Octet, op. 166; “Trout” quintet, op. 114 (Sound recording); Stravinsky: Suites no. 1 and 2 for small orchestra. Hindemith: Kammermusik no. 1, op. 24 (Sound recording); Scherman, Thomas; Vienna Konzerthaus Quartet; Weber: Grand duo concertante, op. 48; Variations on a theme, op. 33 (Sound recording); Mozart, Wolfgang Amadeus PDF IMAGES