Paray, Paul (1886–)

SUBJECT OF

REVIEWS (6)

111	March 1959 The new recordings/Review Worth hearing . . . By Edward Tatnall Canby SEE ALSO: Lomax, Alan; Bavarian Radio Symphony Orchestra; Cento Soli Orchestra of Paris; Chabrun, Daniel; Detroit Symphony; Grieg, Edvard; Jochum, Eugen; Ormandy, Eugene; Schubert, Franz; Grieg: Piano concerto. Rachmaninoff: Rhapsody on a theme of Paganini (Sound recording); Music and song of Italy (Sound recording); North, Myles E.W.; Paul Badura-Skoda and Joerg Demus play Schubert (Sound recording); Paray, Paul; Philadelphia Orchestra; Rachmaninoff: Symphony #2 (Sound recording); Schumann, Robert; Schubert: Symphony in C (“The Great”) (Sound recording); Schumann: Piano concerto in A minor (Sound recording); Rachmaninoff, Sergei; Voices of African birds (Sound recording) PDF IMAGES
92-96	February 1958 The new recordings/Review Angel By Edward Tatnall Canby SEE ALSO: Bach: Sonata #2 in A; Sonata #3 in E for violin and harpsichord (Sound recording); Berlioz: Symphonie fantastique (Sound recording); Boston Symphony; Munch, Charles; Chicago Symphony; Debussy, Claude; Ritchard, Cyril; Debussy: Iberia; Prelude to the “Afternoon of a Faun” (Sound recording); Debussy: La Mer (Sound recording); Detroit Symphony; Mitropoulos, Dimitri; Toch, Ernst; Ormandy, Eugene; Liszt, Franz; Reiner, Fritz; Berlioz, Hector; Stravinsky, Igor; Bach, Johann Sebastian; Liszt: Mephisto waltz (Sound recording); Music for hi-fi bugs (Sound recording); New York Philharmonic; Malko, Nicolai; Paray, Paul; Performances; Rugulo, Pete; Philadelphia Orchestra; Philharmonia Orchestra of London; Monteux, Pierre; Pittsburgh Symphony; Prokofieff: Peter and the wolf (Sound recording); Prokofieff: Symphony #7 (Sound recording); Prokofieff, Sergey; Stravinsky: The rite of spring (Sound recording); Toch: Symphony #3 (1955) (Sound recording); Steinberg, William PDF IMAGES
92	February 1958 The new recordings/Review Worth looking into . . . By Edward Tatnall Canby SEE ALSO: Goehr, Alexander; Dvorák, Antonín; Fiedler, Arthur; Bach: Concerto in D minor for two violins (Sound recording); Bamberger; Beethoven: Piano concerto #4 (Sound recording); Bizet: Carmen suite; L'Arlésienne suite #1 (Sound recording); Boston Pops Orchestra; Brahms: Alto rhapsody; Tragic overture (Sound recording); Raksin, David; Detroit Symphony; Dvorák: Serenade (Sound recording); Elgar, Edward; Elgar: Enigma variations (Sound recording); Bizet, Georges; Hallé Orchestra; Hollywood Bowl Symphony; Ibert: Divertissement (Sound recording); Ibert, Jacques; Bach, Johann Sebastian; Brahms, Johannes; Krips, Josef; Los Angeles Woodwinds; Beethoven, Ludwig van; Ravel, Maurice; Monk's music (Sound recording); Paray, Paul; Ravel: Bolero; Capriccio espagnol (Sound recording); Barbirolli, John, Sir; Symphony of the Air; Monk, Thelonious PDF IMAGES
94-96	January 1958 The new recordings/Review Generations of changing taste By Edward Tatnall Canby SEE ALSO: Winograd, Arthur; Beethoven: Septet, op. 20 (Sound recording); Beethoven: Symphony #3 (“Eroica”) (Sound recording); Cleveland Orchestra; Milhaud, Darius; Detroit Symphony; Mitropoulos, Dimitri; Dukas: Sorcerer's apprentice. Weinberger: Polka and fugue. Liszt: Les Preludes. Strauss: Dance of the seven veils (Sound recording); Liszt, Franz; Schubert, Franz; Szell, George; Haydn: Symphony #44 (“Trauer Symphonie”); Symphony #49 (“La Passione”) (Sound recording); Haydn: Symphony #45 (“Farewell”); Symphony #82 (“The Bear”) (Sound recording); Haydn: Symphony #96. Mozart: Symphony #35 (“Haffner”) (Sound recording); Berlioz, Hector; Scherchen, Hermann; Weinberger, Jaromír; Haydn, Joseph; Barzin, Leon; Les Malheurs d'Orphée (1924) (Sound recording); Beethoven, Ludwig van; Milhaud: Le Pauvre matelot (1926) (Sound recording); Mozart: Symphony #35 (“Haffner”). Berlioz: Waverley overture; Three excerpts from “The Damnation of Faust” (Sound recording); New York Philharmonic; Orchestre du Theatre National de l'opera; Dukas, Paul; Paray, Paul; Philharmonia Orchestra of Hamburg; Strauss, Richard; Reinhardt, Rolf; Schubert: The death of Lazarus (Sound recording); Vienna State Opera Orchestra; Mozart, Wolfgang Amadeus PDF IMAGES
108-112	December 1956 The new recordings/Review For the holidays and after By Edward Tatnall Canby SEE ALSO: Schiøtz, Aksel; Michaelis, Arnold; Boston Symphony; Walter, Bruno; Franck, César; Saint-Saëns, Camille; Munch, Charles; Debussy, Claude; Debussy: Iberia; Prelude to the Afternoon of a Faun; La Mer (Sound recording); Debussy: The martyrdom of Saint Sebastian (Sound recording); Detroit Symphony; Tango, Egisto; André, Franz; Wöldike, Mogens; Mozart: Requiem mass in D minor, K. 626 (Sound recording); New York Philharmonic; Paray, Paul; Performances; Draper, Ruth; Saint-Saens: Carnival of the animals. Franck: Psyché (symphonic poem) (Sound recording); The art of Aksel Schiotz (Sound recording); Mozart, Wolfgang Amadeus PDF IMAGES
109-112	December 1954 The new recordings/Review The parts and the whole By Edward Tatnall Canby SEE ALSO: Dorati, Antal; Rodzinski, Artur; Berlioz: Symphonie fantastique (Sound recording); Brahms: Complete sonatas for violin and piano (Sound recording); Walter, Bruno; Franck, César; Detroit Symphony; Franck: Symphony in D minor; Le chasseur maudit (Sound recording); Liszt, Franz; Fauré, Gabriel; Berlioz, Hector; High-fidelity systems; Brahms, Johannes; Ravel, Maurice; Minneapolis Symphony; New York Philharmonic; Orchestral music of Brahms (Sound recording); Paray, Paul; Phonograph; Ravel: La valse. Fauré: Pavane. Franck: Psyché (Sound recording); Schumann, Robert; Schumann: Symphony #4. Liszt: Les preludes (Sound recording); Vienna State Opera Orchestra PDF IMAGES