107	December 1958 The new recordings/Review Worth hearing . . . By Edward Tatnall Canby SEE ALSO: Bach: Art of the fugue (Sound recording); Berlin Philharmonic; Berlioz: Symphonie fantastique (Sound recording); Brahms: Magelone songs, op. 33 (Sound recording); Bruckner-Guggeberg; Cento Soli Orchestra of Paris; Die dreigroschenoper (Threepenny opera) (Sound recording); Lalo, Edouard; Fauré: Shylock suite. Lalo: Divertissement (Sound recording); Fauré, Gabriel; Berlioz, Hector; Steinecke, Heinz; Bach, Johann Sebastian; Brahms, Johannes; London Symphony; Fourestier, Louis; Mozart: Requiem, K. 626 (Sound recording); Rimsky-Korsakov, Nikolay; Philharmonia Orchestra of Hamburg; Monteux, Pierre; Rimsky-Korsakoff: Scheherazade (Sound recording); Kempe, Rudolf; St. Hedwig's Choir; Mozart, Wolfgang Amadeus PDF IMAGES
94-96	January 1958 The new recordings/Review Generations of changing taste By Edward Tatnall Canby SEE ALSO: Winograd, Arthur; Beethoven: Septet, op. 20 (Sound recording); Beethoven: Symphony #3 (“Eroica”) (Sound recording); Cleveland Orchestra; Milhaud, Darius; Detroit Symphony; Mitropoulos, Dimitri; Dukas: Sorcerer's apprentice. Weinberger: Polka and fugue. Liszt: Les Preludes. Strauss: Dance of the seven veils (Sound recording); Liszt, Franz; Schubert, Franz; Szell, George; Haydn: Symphony #44 (“Trauer Symphonie”); Symphony #49 (“La Passione”) (Sound recording); Haydn: Symphony #45 (“Farewell”); Symphony #82 (“The Bear”) (Sound recording); Haydn: Symphony #96. Mozart: Symphony #35 (“Haffner”) (Sound recording); Berlioz, Hector; Scherchen, Hermann; Weinberger, Jaromír; Haydn, Joseph; Barzin, Leon; Les Malheurs d'Orphée (1924) (Sound recording); Beethoven, Ludwig van; Milhaud: Le Pauvre matelot (1926) (Sound recording); Mozart: Symphony #35 (“Haffner”). Berlioz: Waverley overture; Three excerpts from “The Damnation of Faust” (Sound recording); New York Philharmonic; Orchestre du Theatre National de l'opera; Dukas, Paul; Paray, Paul; Philharmonia Orchestra of Hamburg; Strauss, Richard; Reinhardt, Rolf; Schubert: The death of Lazarus (Sound recording); Vienna State Opera Orchestra; Mozart, Wolfgang Amadeus PDF IMAGES
104-110	March 1957 The new recordings/Review Knowing the unknown By Edward Tatnall Canby SEE ALSO: Deller, Alfred; Winograd, Arthur; Berlin Philharmonic; Berwald: Symphony in C (“Singulière”); Symphony in E flat (Sound recording); Binchois: Mass. Secular pieces by Isaac, Crequillon, Gerard, etc. (Burgundian school) (Sound recording); Colombo; Eeckhout; Chausson, Ernest; Fauré: Masques and bergamasques, op. 112 (1920). Duparc: Lénore (tone poem, 1875). Chausson: Viviane (tone poem, 1882) (Sound recording); Berwald, Franz; Fauré, Gabriel; Binchois, Gilles; Pergolesi, Giovanni Battista; Brown, Harold; Duparc, Henri; Markevitch, Igor; Rameau, Jean Philippe; Rosenmüller, Johann; La Lande: Symphonies pour les soupers du roi. Rameau: Musique de ballet (Les paladins, first and second suites) (Sound recording); Gardelli, Lamberto; Lalande, Michel Richard de; Performances; Pergolesi (?): Il Maestro de musica (Sound recording); Philharmonia Orchestra of Hamburg; Rosenmüller: In te, Domine; Die Augen des Herrn; Confiteor tibi; Nunc dimittis (Sound recording); The Renaissance chorus (Sound recording); Byrd, William; William Byrd and his age (Sound recording); Tessier, Yves PDF IMAGES
94-96	January 1957 The new recordings/Review Contemporary music By Edward Tatnall Canby SEE ALSO: Foldes, Andor; Bartók, Béla; Bartók: Divertimento for strings (1939). Charles Ives: The unanswered question. Milhaud: Symphony #4 for strings. Skalkottas: Little suite for strings (Sound recording); Bartók: Microcosmos (complete) (Sound recording); Bartók: Music for strings, percussion and celesta (1936); Dance suite (1923) (Sound recording); Surinach, Carlos; Ives, Charles; McPhee, Colin; Milhaud, Darius; Fernadi, Edith; Carter, Elliott; Elliott Carter: String quartet (Sound recording); Fricsay, Ferenc; Hindemith: Nobilissima visione (1938); Symphonic metamorphoses on themes of Weber (1943) (Sound recording); Keilberth, Joseph; Foss, Lukas; Skalkottas, Nikos; Hindemith, Paul; Performances; Philharmonia Orchestra of Hamburg; RIAS Symphony Orchestra; Sessions, Roger; Roger Sessions: Second string quartet. Colin McPhee: Concerto for piano with wind octette accompaniment (1928) (Sound recording); Voisin, Roger; The piano music of Béla Bartók (Sound recording) PDF IMAGES
106	November 1956 The new recordings/Review Worth looking into . . . By Edward Tatnall Canby SEE ALSO: Winograd, Arthur; Cimarosa: Il Matrimonio segreto (Sound recording); Cleveland Orchestra; Cimarosa, Domenico; Poulenc, Francis; Glinka: Russlan and Ludmilla, complete (Sound recording); Stravinsky, Igor; Kondrashin, Kirill Petrovich; Glinka, Mikhail Ivanovich; Sanzogno, Nino; Philharmonia Orchestra of Hamburg; Poulenc: Concerto for organ, strings, and timpani. Hanson: Concerto for organ, strings, and harp (Sound recording); Prokofiev: The love for three oranges, op. 33, complete (Sound recording); Schumann, Robert; Schumann: Symphonic etudes, op. 13; Scenes from childhood, op. 15 (Sound recording); Prokofieff, Sergey; Stravinsky: The fairy's kiss, complete ballet (Sound recording) PDF IMAGES
PAGE MISSING 100-104	October 1956 The new recordings/Review American in Paris By Edward Tatnall Canby SEE ALSO: Haieff, Alexei; Ives, Charles; Griffes, Charles Tomlinson; McPhee, Colin; Colin McPhee: Tabuh-Tabuhan. Elliott Carter: The minotaur (ballet suite) (Sound recording); Eastman-Rochester Symphony; Carter, Elliott; Griffes: Roman sketches, op. 7; Three tone pictures, op. 5; Fantasy pieces, op. 6 (Sound recording); Haieff: Concerto for piano and orchestra (1952) (Sound recording); Haieff: Four juke box pieces; Five piano pieces (Sound recording); Walther, Hans-Jürgen; Hanson; Ives: Violin sonata #2; Violin sonata #3; Violin sonata #4 (“Children's Day at the Camp Meeting”) (Sound recording); Jazz; Engdahl, Lenore; Performances; Philharmonia Orchestra of Hamburg PDF IMAGES