Sentences — September 19, 2008, 7:51 am

Weekend Read: “We become less alone inside”

In the week since his death, the web has been full of remembrances of David Foster Wallace, tributes both to the person and to his work. Among the most substantive and touching of these appear on the website for McSweeneys, to which Wallace had long contributed. Among many thoughtful letters, Lorin Stein offers a terse summation that ably sketches Wallace’s significance:

David Foster Wallace changed the way we write and read. He was the first writer who really got the word processor, who turned it into a tool for literature. He restored the vernacular to fiction—to prose. He was the most original and influential stylist of our time.

His style expressed a philosophy, or a working faith. A faith that, however we talked, we weren’t spiritually stupid. That we weren’t alone in our minds. That we were, all of us, worthy of understanding, that we were equals in the sight of God. No one can offer us hope who hasn’t looked hard at the dark, and no one offered us so much hope.

This weekend, I propose you explore three very different forums for Wallace’s hard won, forgiving vision. The first is his final published story, the excellent and gentle “Good People,” which appeared last year in the New Yorker. The first paragraph:

They were up on a picnic table at that park by the lake, by the edge of the lake, with part of a downed tree in the shallows half hidden by the bank. Lane A. Dean, Jr., and his girlfriend, both in bluejeans and button-up shirts. They sat up on the table’s top portion and had their shoes on the bench part that people sat on to picnic or fellowship together in carefree times. They’d gone to different high schools but the same junior college, where they had met in campus ministries. It was springtime, and the park’s grass was very green and the air suffused with honeysuckle and lilacs both, which was almost too much. There were bees, and the angle of the sun made the water of the shallows look dark. There had been more storms that week, with some downed trees and the sound of chainsaws all up and down his parents’ street. Their postures on the picnic table were both the same forward kind with their shoulders rounded and elbows on their knees. In this position the girl rocked slightly and once put her face in her hands, but she was not crying. Lane was very still and immobile and looking past the bank at the downed tree in the shallows and its ball of exposed roots going all directions and the tree’s cloud of branches all half in the water. The only other individual nearby was a dozen spaced tables away, by himself, standing upright. Looking at the torn-up hole in the ground there where the tree had gone over. It was still early yet and all the shadows wheeling right and shortening. The girl wore a thin old checked cotton shirt with pearl-colored snaps with the long sleeves down and always smelled very good and clean, like someone you could trust and care about even if you weren’t in love. Lane Dean had liked the smell of her right away. His mother called her down to earth and liked her, thought she was good people, you could tell—she made this evident in little ways. The shallows lapped from different directions at the tree as if almost teething on it. Sometimes when alone and thinking or struggling to turn a matter over to Jesus Christ in prayer, he would find himself putting his fist in his palm and turning it slightly as if still playing and pounding his glove to stay sharp and alert in center. He did not do this now; it would be cruel and indecent to do this now. The older individual stood beside his picnic table—he was at it but not sitting—and looked also out of place in a suit coat or jacket and the kind of men’s hat Lane’s grandfather wore in photos as a young insurance man. He appeared to be looking across the lake. If he moved, Lane didn’t see it. He looked more like a picture than a man. There were not any ducks in view.

I would also suggest my favorite print interview with Wallace, from The Review of Contemporary Fiction, in 1993. Here, Wallace is asked to distinguish between what television does and what he wanted his fiction to do:

I had a teacher I liked who used to say good fiction’s job was to comfort the disturbed and disturb the comfortable. I guess a big part of serious fiction’s purpose is to give the reader, who like all of us is sort of marooned in her own skull, to give her imaginative access to other selves. Since an ineluctable part of being a human self is suffering, part of what we humans come to art for is an experience of suffering, necessarily a vicarious experience, more like a sort of “generalization” of suffering. Does this make sense? We all suffer alone in the real world; true empathy’s impossible. But if a piece of fiction can allow us imaginatively to identify with a character’s pain, we might then also more easily conceive of others identifying with our own. This is nourishing, redemptive; we become less alone inside. It might just be that simple. But now realize that TV and popular film and most kinds of “low” art—which just means art whose primary aim is to make money—is lucrative precisely because it recognizes that audiences prefer 100 percent pleasure to the reality that tends to be 49 percent pleasure and 51 percent pain. Whereas “serious” art, which is not primarily about getting money out of you, is more apt to make you uncomfortable, or to force you to work hard to access its pleasures, the same way that in real life true pleasure is usually a by-product of hard work and discomfort. So it’s hard for an art audience, especially a young one that’s been raised to expect art to be 100 percent pleasurable and to make that pleasure effortless, to read and appreciate serious fiction. That’s not good. The problem isn’t that today’s readership is “dumb,” I don’t think. Just that TV and the commercial-art culture’s trained it to be sort of lazy and childish in its expectations. But it makes trying to engage today’s readers both imaginatively and intellectually unprecedentedly hard.

And finally, whether for the first time or once again, watch a 1997 Charlie Rose interview with Wallace that offers another, fleeting vantage on what we’ve lost.

Share
Single Page

More from Wyatt Mason:

Conversation October 2, 2015, 8:26 am

Permission to Speak Frankly

“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”

From the October 2014 issue

You Are Not Alone Across Time

Using Sophocles to treat PTSD

From the February 2010 issue

The Untamed

Joshua Ferris’s restless-novel syndrome

Get access to 169 years of
Harper’s for only $23.99

United States Canada

CATEGORIES

THE CURRENT ISSUE

August 2019

A Play with No End

= Subscribers only.
Sign in here.
Subscribe here.

The Call of the Drums

= Subscribers only.
Sign in here.
Subscribe here.

Brutal from the Beginning

= Subscribers only.
Sign in here.
Subscribe here.

The Alps

= Subscribers only.
Sign in here.
Subscribe here.

view Table Content

FEATURED ON HARPERS.ORG

Article
A Play with No End·

= Subscribers only.
Sign in here.
Subscribe here.

When I caught up with the Gilets Jaunes on March 2, near the Jardin du Ranelagh, they were moving in such a mass through the streets that all traffic had come to a halt. The residents of Passy, one of the wealthiest neighborhoods in Paris, stood agape and apart and afraid. Many of the shops and businesses along the route of the march, which that day crossed seven and a half miles of the city, were shuttered for the occasion, the proprietors fearful of the volatile crowd, who mostly hailed from outside Paris and were considered a rabble of invaders.

Article
The Call of the Drums·

= Subscribers only.
Sign in here.
Subscribe here.

The Great Kurultáj, an event held annually outside the town of Bugac, Hungary, is billed as both the “Tribal Assembly of the Hun-­Turkic Nations” and “Europe’s Largest Equestrian Event.” When I arrived last August, I was fittingly greeted by a variety of riders on horseback: some dressed as Huns, others as Parthian cavalrymen, Scythian archers, Magyar warriors, csikós cowboys, and betyár bandits. In total there were representatives from twenty-­seven “tribes,” all members of the “Hun-­Turkic” fraternity. The festival’s entrance was marked by a sixty-­foot-­tall portrait of Attila himself, wielding an immense broadsword and standing in front of what was either a bonfire or a sky illuminated by the baleful glow of war. He sported a goatee in the style of Steven Seagal and, shorn of his war braids and helmet, might have been someone you could find in a Budapest cellar bar. A slight smirk suggested that great mirth and great violence together mingled in his soul.

Article
Brutal from the Beginning·

= Subscribers only.
Sign in here.
Subscribe here.

Celebrity sightings are a familiar feature of the modern N.B.A., but this year’s playoffs included an appearance unusual even by the standards of America’s most star-­friendly sports league. A few minutes into the first game of the Western Conference semifinals, between the Golden State Warriors and the Houston ­Rockets—the season’s hottest ticket, featuring the reigning M.V.P. on one side and the reigning league champions on the other—­President Paul Kagame of Rwanda arrived with an entourage of about a dozen people, creating what the sports website The Undefeated called “a scene reminiscent of the fashionably late arrivals of Prince, Jay-­Z, Beyoncé and Rihanna.”

Article
The Alps·

= Subscribers only.
Sign in here.
Subscribe here.

A Toyota HiAce with piebald paneling, singing suspension, and a reg from the last millennium rolled into the parking lot of the Swinford Gaels football club late on a Friday evening. The HiAce belonged to Rory Hughes, the eldest of the three brothers known as the Alps, and the Alps traveled everywhere together in it. The three stepped out and with a decisive slam of the van’s side door moved off across the moonscape of the parking lot in the order of their conceptions, Rory on point, the middle brother, Eustace, close behind, and the youngest, ­Bimbo, in dawdling tow.

Article
Hurrah for the Plaza·

= Subscribers only.
Sign in here.
Subscribe here.

There has been a proliferation of plazas in the past twenty years, here in New York City but also elsewhere in America, even in Minnesota, where I’m from. Maybe in the zoning laws there is provision for the apportionment of sunshine, or maybe it’s just leftover space waiting to be developed, but here it is, an open ­plaza where people can mingle freely, enjoy face-­to-­face encounters, take a break from Facebook, Twitter, YouTube, Instagram—­the national unconscious with its fevers of conspiracy and ancient hatreds and malignity—­and walk out into the fresh air of democracy, where the general looseness—­no security personnel, no ropes, no questions—­testifies to the inherent good manners of one’s fellow citizens. There is no sign reading: your consideration of your neighbors is appreciated. thank you for not engaging in abusive talk or elaborate paranoia. People just behave without being told, as if their mothers were watching them.

Cost of renting a giant panda from the Chinese government, per day:

$1,500

A recent earthquake in Chile was found to have shifted the city of Concepción ten feet to the west, shortened Earth’s days by 1.26 microseconds, and shifted the planet’s axis by nearly three inches.

“What’s the point?” said Senator Tim Scott, who is paid at least $174,000 per year as an elected official, when asked whether he had read the Mueller report.

Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!

HARPER’S FINEST

Happiness Is a Worn Gun

By

“Nowadays, most states let just about anybody who wants a concealed-handgun permit have one; in seventeen states, you don’t even have to be a resident. Nobody knows exactly how many Americans carry guns, because not all states release their numbers, and even if they did, not all permit holders carry all the time. But it’s safe to assume that as many as 6 million Americans are walking around with firearms under their clothes.”

Subscribe Today