Monday Gallery

Elisabeth Bieri, 1907, a graphite pencil and crayon drawing by Adolf Wölfli, whose work is currently on view as part of the exhibition Creating Connections: Self-Taught Artists in the Rosenthal Collection, at the Cincinnati Art Museum through October 8.

Little Fireworks, a painting by Inka Essenhigh whose work is on view through September 4 at Baldwin Gallery in Aspen, Colorado.

"Dive, Makaha," 1964, by LeRoy Grannis, whose work is featured in the online photo exhibition Pilgrimage to the Sun. Selected works are on view through August 31 at M+B in Los Angeles.

Nuestra Historia Series, a lithograph by Juana Estrada Hernández, whose work is on view as part of the exhibition New Voices: On Transformation through August 25 at Print Center New York.

Candidate, a painting by Henry Gunderson, whose work is on view as part of the exhibition Storage Wars through August 19, at The Hole, in Los Angeles.

A photograph by Jamel Shabazz, from his book Albums, which was published in March by Steidl and The Gordon Parks Foundation.

Cavalry, a collage with Japanese paper and watercolor on linen, by María Berrío, whose work is on view through August 6 at the Institute of Contemporary Art, in Boston.

An untitled photograph from Eurana Park, in Weatherly, Pennsylvania, 1982, by Judith Joy Ross, whose work is on view through August 6 at the Philadelphia Museum of Art.

Wali’s Farm, a painting by Joseph Olisaemeka Wilson, whose work is on view through August 25 at Derek Eller Gallery, in New York City.

A photograph from the series Mono-Pines/Mono-Palms, from the book Second Nature, by Işık Kaya and Thomas Georg Blank, which was published last year by Kehrer Verlag.

An Allegory, 1964, a painting by Bob Thompson, whose work is on view through July 8 at 52 Walker, in New York City.

Overtime, a painting by Mikey Yates, whose work is on view through July 1 at Shulamit Nazarian, in Los Angeles.

The Hunter, a painting by Rune Christensen, whose work is on view through July 2 at Kristin Hjellegjerde Gallery, in Berlin.

“Tbilisi still life,” a photograph by Ketuta Alexi-Meskhishvili, whose work will be on view with galerie frank elbaz from June 15–19 at Art Basel, in Basel, Switzerland.

“Sienne,” 1979, a photograph by Hervé Guibert whose work is on view as part of the exhibition Love Songs: Photography and Intimacy through September 11 at the International Center of Photography, in New York City.

Avatara, a painting by Hulda Guzmán, whose work is on view through July 5 at Alexander Berggruen, in New York City.

Sacret Bibel, 1875–1895, a quilt top made of cotton, silk, wool, and ink, with cotton embroidery by Susan Arrowood, which is on view through October 29 at the American Folk Art Museum, New York City.

“Untitled (Garvey Day, Deedee in Car),” circa 1965, a photograph by Kwame Brathwaite, whose work is on view through July 24 at the Art Institute of Chicago.

Initiation, a painting by Kyle Dunn, whose work is on view through May 13 at PPOW Gallery, in New York City.

“Maschere a Gattu, Sarule, Sardinia,” a photograph by Alys Tomlinson, whose monograph Gli Isolani (The Islanders), was published last year by GOST Books.

An untitled painting by Michael Harrington whose work is on view through May 2 at Galerie St-Laurent + Hill, in Ottawa, Canada.

“Helicopter,” by Sim Chi Yin, whose work is included in the book What We See, which was published in March by Women Photograph. For the series Interventions, Chi Yin photographed archival prints from the British Imperial War Museum on a light box, merging versos and rectos of the prints. The prints are the colonial visual record of the so-called “Malayan Emergency,” a euphemistic term used by the British for the 1948–1960 war between anti-colonial insurgents and British and Commonwealth troops in the Malay Peninsula and Singapore.

Heart of Hearts, Basking, 1973, a painting by Miyoko Ito, whose work is on view through April 15 at Matthew Marks Gallery, in New York City.

The Grass Isn’t Always Greener, 2022, a mixed-media collage on a 1950 Dow Chemical Company magazine advertisement, by Kirsten Stolle, whose work is on view through April 8 at Tracey Morgan Gallery in Asheville, North Carolina.

“Rosetta Stone,” a photograph with unique burn markings by Tabitha Soren, whose work is on view through March 25 at Laney Contemporary in Savannah, Georgia.

Alpinist, a painting by Peter Doig, whose work is on view through May 29 at the Courtauld Institute of Art, in London.

Triumph of the Willing (Part I), a painting by Hydeon, whose work was on view last weekend with Ricco/Maresca at the Outsider Art Fair in New York City.

Tailoring Freedom – Renty and Delia, 2021, a mixed-media artwork (metal staples on photograph on wood), by Sasha Huber, whose work is on view through March 25 at Autograph, in London.