Crosswind, a painting by William Schaeuble, whose work is on view through March 31 as part of the exhibition Centering, at Old Friends Gallery, in Chicago.
Courtesy of the artist and Old Friends Gallery, Chicago
“Children with orangutans,” a photograph by Jo-Anne McArthur from the book Why We Photograph Animals, which was published last month by Thames & Hudson.
Photographs by René Groebli from his series The Eye of Love and taken on his honeymoon with his wife, Rita, in Paris, 1952. Groebli’s work is on view through February 24 at the Hulett Collection, in Tulsa, Oklahoma.
Photographs by René Groebli from his series The Eye of Love and taken on his honeymoon with his wife, Rita, in Paris, 1952. Groebli’s work is on view through February 24 at the Hulett Collection, in Tulsa, Oklahoma.
Photographs by René Groebli from his series The Eye of Love and taken on his honeymoon with his wife, Rita, in Paris, 1952. Groebli’s work is on view through February 24 at the Hulett Collection, in Tulsa, Oklahoma.
Pool, a drawing by Alexandra Borovski, whose work is on view through March 16 as part of the exhibition I Should Have Been a Pair of Ragged Claws, at the Wassaic Project, in Wassaic, New York.
Courtesy the artist and Wassaic Project, Wassaic, New York
“Makayla Nayokpuk watching her dad, Dennis Davis, operate his drone, Shishmaref, Alaska,” a photograph from the series I Am Inuit, by Brian Adams, whose work is on view through February 11 at the Denver Art Museum.
Glows of Erasure, a painting by Annie Lapin, whose work was on view from January 18-21 at the FOG Design+Art Fair in San Francisco with Shulamit Nazarian.
Courtesy the artist and Shulamit Nazarian, Los Angeles
“Double Negative,” a photograph by Lorna Simpson, whose work is on view as part of the exhibition Going Dark: The Contemporary Figure at the Edge of Visibility, at the Guggenheim Museum, in New York City.
The Sea, a mixed-media painting (collaged paint and fabric) by Angel Otero, whose work is on view through February 10 at Vito Schnabel Gallery, in St. Moritz, Switzerland.
“No. 4: Celebrating Christmas,” a photograph from the series The Mother as a Creator by Annie Hsiao-Ching Wang. Hsiao-Ching Wang’s work will be on view in March as part of the exhibition New Directions: Recent Acquisitions at the George Eastman Museum in Rochester, New York.
Beloved, a painting by Helen Flockhart, whose work is on view through December 24 at Arusha Gallery, in London.
Courtesy the artist and Arusha Gallery
Music Lesson, a painting by Derek Fordjour, whose work is on view through December 22 at Petzel Gallery, in New York City.
Courtesy the artist and Petzel Gallery, New York City
"Untitled (AM # 25)," an ambrotype by Yamamoto Masao, whose work is on view through January 6 at Yancey Richardson, in New York City.
Courtesy the artist and Yancey Richardson, New York City
"Buttons advocating for causes my parents supported, circa 1969-2016," a photograph by Alice Proujansky from her book Hard Times are Fighting Times, which was published this month by Gnomic Book.
Courtesy the artist and Gnomic Book
Bloom and Doom, a painting by Nikki Maloof, whose work is on view from November 9-11 at the West Bund Art & Design Fair with Perrotin, in Shanghai.
Courtesy the artist and Perrotin
“Gladiolas and forty years in between, archive from the year 1972,” 2017, an artwork by Nhu Xuan Hua, whose work was on view November 9-12 at Paris Photo with Anne-Laure Buffard Gallery.
Animales Familiares, an artwork (woven acrylic on canvas and linen) by Miguel Arzabe, whose work is on view through October 28 at Johansson Projects, in Oakland, California.
“Your Absence Is My Monument, Untitled 2,” a photograph by Merik Goma, whose work is on view through October 22 at Management, in New York City.
Courtesy of the artist and Management.
“Gypsies, Porumbacu de Jos, Sibiu, Romania, 1938,” a photograph by Lee Miller, whose monograph, Lee Miller: Photographs, is being published this month by Thames and Hudson.
Elisabeth Bieri, 1907, a graphite pencil and crayon drawing by Adolf Wölfli, whose work is currently on view as part of the exhibition Creating Connections: Self-Taught Artists in the Rosenthal Collection, at the Cincinnati Art Museum through October 8.
Courtesy Cincinnati Art Museum. Collection of Richard Rosenthal
Là où je suis passé, celui qui passe sera recouvert des terres I(serie II), a painting by Hilary Balu, whose work was on view last weekend with Stems Gallery at the Armory Show in New York City.