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Annie Dillard was a contributing editor to Harper’s Magazine from 1973 to 1985, with a brief hiatus in 1982.
Dillard’s first contribution to Harper’s was sent to the editors as an unsolicited manuscript. “Monster in a Mason Jar: The lethal liturgy of the praying mantis” (August 1973) was the first of four excerpts from Pilgrim at Tinker Creek (1974) to appear in the magazine. The book was published by Harper’s Magazine Press in 1974, when Dillard was twenty-nine, and won the Pulitzer Prize for General Nonfiction in the same year. “Pilgrim is really a book of theology,” Dillard told an editor at the magazine in 1974. “It’s the result of one year’s walking around and thinking about what kind of god gave us this kind of world. I decided that it must have been a very carefree, exuberant one, saying ‘Here, have a tulip! Have a beetle! Have another beetle!’”
Dillard’s first book was the poetry collection Tickets for a Prayer Wheel (1974). Among her nonfiction works are Living by Fiction (1982); Teaching a Stone to Talk (1982); An American Childhood (1987), which was a finalist for the National Book Critics Circle Award; and For the Time Being (1999), an excerpt of which appeared in the January 1988 issue of the magazine. Dillard also wrote two novels: The Living (1992), excerpts of which were published in the November 1978 and August 1991 issues, and The Maytrees (2007), which was a finalist for the PEN/Faulkner Award for Fiction.
Dillard taught at Wesleyan University from 1979 to 2000. She serves on the usage panel of the American Heritage Dictionary, and paints.
Taking our century’s measure
Trudy Lieberman reports on the failed promise of the Affordable Care Act, Sarah A. Topol explores Ukraine’s struggle for a national identity, Dave Madden spends a week in Hollywood’s toughest comedy club, and more
Percentage of Japanese and Italian men, respectively, who rate their kisses a 9 or a 10:
Babies prefer to look at attractive people.
A bag of headless goats was found on Long Island.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”