Barbara Ehrenreich

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Barbara Ehrenreich was a contributing editor to Harper’s Magazine from 1999 to 2012.

Her bestselling book, Nickel and Dimed: On (not) getting by in America (2001), originated as a piece of undercover reportage published in the January 1999 issue of the magazine, for which she received the Sidney Hillman Award in 2000. In her introduction to the book, Ehrenreich recalls how, during a lunch with Harper’s editor Lewis H. Lapham, conversation turned to how one lives on low wages. She suggested that someone ought to “do the old-fashioned kind of journalism—you know, go out there and try it for themselves,” after which “Lapham got this crazy-looking half smile on his face and ended life as I knew it, for long stretches at least, with the single word, ‘You.’”

Ehrenreich is the author or co-author of, among other works, Blood Rites: Origins and History of the Passions of War (1998); Bait and Switch: The (Futile) Pursuit of the American Dream (2005); Dancing in the Streets: A History of Collective Joy (2007); and Complaints & Disorders: The Sexual Politics of Sickness (2011), co-written with former Mother Jones editor Deirdre English.

Her writing has also appeared in the New York Times, Time, The Progressive, and Mother Jones, among others.

Article — From the November 2001 issue

Welcome to cancerland

A mammogram leads to a cult of pink kitsch

Article — From the April 2000 issue

Maid to order

The politics of other women’s work

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October 2015


“One of the peculiar things about economic inequality is that the people who are most articulate about it are not poor, while the poor themselves have said little, at least in print, about their situation.”
Photograph © Reuters/Brendan McDermid
“It would be nice to get through this review without recourse to the term ‘writer’s writer.’ The thing is, in the case of Joy Williams, I have seen the cliché made flesh.”
Illustration by Steven Dana
“Miniatures originated in Persia and were brought to the Indian subcontinent when the Mughals conquered it in the sixteenth century. They could take on almost any subject: landscapes or portraits; stories of love, war, or play.”
Painting by by Imran Qureshi.
“The business of being a country veterinarian is increasingly precarious. The heartland has been emptying of large-animal vets for at least two decades, as agribusiness changed the employment picture and people left the region.”
Photograph by Lance Rosenfield
“Rosie and her husband had burned through their small savings in the first few months after she lost her job. Now their family of five relied on his minimum-wage paychecks, plus Rosie’s unemployment and food stamps, which, combined, brought them to around $2,000 per month, just above the poverty line.”
Illustrations by Taylor Callery

Ratio of children’s emergency-room visits for injuries related to fireworks last year to those related to “desk supplies”:


The ecosystems around Chernobyl, Ukraine, are now healthier than they were before the nuclear disaster, though radiation levels are still too high for human habitation.

The Islamic State opened two new theme parks featuring a Ferris wheel, teacup rides, and bumper cars.

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Subways Are for Sleeping


“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”

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