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for the Landgrave of Homburg
By Friedrich Hölderlin
God is near
Yet hard to seize.
Where there is danger,
The rescue grows as well.
Eagles live in the darkness,
And the sons of the Alps
Go fearlessly over the abyss
Upon bridges simply built.
Therefore, since the peaks
Of Time are heaped all about,
And dear ones live close by,
Worn down on the most separated mountains —
Then give us innocent waters;
Give us wings, and the truest minds
To voyage over and then again to return.
Thus I spoke, when faster
Than I could imagine a spirit
In the twilight
Seduced me out of my own home
To a place I never thought I’d visit.
The shaded forests and longing
Streams of my homeland.
I couldn’t recognize the lands,
but then suddenly
In fresh a glow, mysterious
In the golden haze, quickly emerging
In the steps of the sun,
With the fragrance of a thousand peaks,
Asia rose before me, and dazzled
I searched for something
Familiar, since the broad alleyways
Were unknown to me: where the gold-ornamented
Patoklos comes rushing down from Tmolus,
Where Taurus is to be found, and Messogis,
And the gardens are full of flowers,
Like a quiet fire. Up above
In the light the silver snow
Blooms, and ivy grows from ancient
Times on the inapproachable walls,
Like a witness to immortal life,
While the joyous, the god-built palaces
Are borne by living columns
Of cypress, cedar and laurel.
But around Asia’s gates
Swish pulling here and there
At an uncertain sea level
With enough unshaded straits,
Though the sailor knows these islands.
And when I heard,
that one of these close by
Was Patmos, I wanted very much
To put in there, to enter
The dark grotto. For unlike
Cyprus, rich with springs,
Or any of the others, Patmos
Is housed on earth poorly,
But nevertheless is hospitable
And if a stranger should come to her,
Sent by shipwrecked or longing for
His home or for a departed friend,
She’ll gladly listen, and her
Offspring as well, the voices
In the hot grove, so that where sands blow
and heat cracks the tops of the fields,
They hear him, these voices,
And lovingly sound the man’s grief.
Thus she once looked after
The seer who was loved by god,
Who in his holy youth
Had walked together inseparably
With the Son of the Highest,
Because the Bringer-of-Storms loved
The simplicity of this disciple.
Thus did that attentive man observe
The countenance of the god precisely,
There at the mystery of the grapevine,
Where they sat together at the hour
Of the Last Supper, when the Lord with
His great spirit quietly envisioning His
Own death, and forespoke it and also
His final act of love, for He always
Had words of kindness to speak,
Even then in His prescience,
To soften the violence and wildness of the world.
For all is good. Then He died. Much
Could be said about it. At the end
His friends recognized how filled with joy
He appeared, how victorious.
And yet the men grieved, now that evening
Had come, and were taken by surprise,
Since they were full of great intentions,
And loved living under the sun,
And didn’t want to leave the countenance
Of the Lord, and of their home.
It penetrated them like fire into iron,
And the One they love walked beside them
Like a shadow. Therefore He sent
The Spirit upon them, and the house
Shook and God’s house and weather rolled
Over their heads, filled with anticipation, while
They were gathered with heavy hearts,
Like heroes whose death approached,
Then once more He appeared to them
At his departure. For now
The royal day of the sun
Was extinguished, as he cast
The shining scepter from himself,
With godlike suffering, but knowing
He would come again at the right time.
It would have been wrong
To cut off disloyally His work
The work of humankind, since now it brought Him joy
To live on in loving night, to preserve
Before simple eyes, unrelated
The depths of wisdom. Deep in the
Mountains grew also living images,
Yet it is terrible how God here and there
Scatters the living, and how very far they are flung.
And how fearsome it was to leave
The sight of dear friends and walk off
Alone far over the mountains, where
The Holy Spirit was twice
Recognized, in unity.
It hadn’t been prophesied to them:
Rather it seized them right by the hair
Just at the moment when the God
Who had turned from them, looked back, and they called out to Him
To stop, and they reached their hands to
One another as if bound by a golden cord,
And called it evil —
But when He dies —He about whom beauty hangs
Loved most of all, so that a miracle
Surrounded him, and he was the
Elect of the heavens —
And when those who lived together
Thereafter in His memory, became
Perplexed and no longer understood
One another; and when floods carry off
The sand and willows and temples,
And when the fame of the demi-god
And His disciples is blown away
And even the Highest turns aside his
Countenance, so that nothing
Immortal can be seen either
In heaven or upon the green earth —
What meaning must we take from all of this?
It is the cast of the sower, as he seizes
Wheat with his shovel
Throwing it into the clear air,
Swinging it across the threshing floor.
The chaff falls to his feet, but
The grain emerges in the end.
It’s not bad if some of it gets lost,
Or if the sounds of His living speech
Fade away. For the divine work
resembles our own:
The Highest doesn’t want all to be
Accomplished at once.
As mines yield iron,
And Ætna its glowing haze,
Then I’d have wealth sufficient
To form a picture of Him and see
What he was, the Christ.
But if somebody spurred himself on
Along the road and, speaking sadly,
Fell upon me and surprised me, so that
Like a servant I’d make an image of the God —
Once I saw the lords
Of heaven visibly angered, not
That I wanted to become something different,
But that I wanted to learn something more.
The lords are kind, but while they reign
They hate falsehood most, when humans become
Inhuman. For not they, but undying Fate
It is that rules, and their work
Transforms itself and quickly reaches an end.
When the heavenly triumph proceeds higher.
Then the joyful Son of the Highest
Is called like the sun by the strong,
As a watchword, like the staff of a song
That points downwards,
For nothing is ordinary. It awakens
The dead, those raised incorruptible.
And many are waiting whose eyes are
Still too shy to see the light directly.
They wouldn’t do well in the sharp
Ray: a golden bridle
Holds back their courage.
But when quiet radiance falls
From the Holy Scripture, with
The world forgotten and their eyes
Swollen, then they may enjoy that grace,
And study the quiet image.
And if the heavens love me,
As I now believe,
Then how much more
Do they love you.
For I know one thing:
That the will of the eternal Father
Concerns you greatly.
Under a thundering sky
His sign is silent.
And there is One who stands
Beneath it all his life.
For Christ still lives.
But the heroes, all his sons
Have come, and the Holy Scriptures
Concerning Him and the lightening,
Explain the deeds of the Earth up to this day,
Like a footrace that knows no end.
And He is with us too, for his works and all
Known to Him from the very beginning.
For far too long
The honor of the heavens
Has gone unseen.
They practically have to
Guide our fingers as we write,
And with embarrassment the power
Is ripped from our hearts.
For every heavenly being
Expects a sacrifice,
And when this is neglected,
Nothing good can come of it.
Without awareness we’ve served at the feet of
Our Mother Earth, and the Light
Of the Sun as well, but what our Father
Who reigns over everything wants most
Is that the established Word be
Caringly attended, and that
Which endures be construed well.
German song must accord with this.
–S.H. transl. Text follows: Friedrich Hölderlin, Patmos in: Sämtliche Werke und Briefe, vol. 1, p. 379-385 (Hanser ed. 1970).
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”