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. . . and further, it is part [of the nature of tyranny] to strive to see that all the affairs of the tyrant are secret, but that nothing is kept hidden of what any subject says or does, rather everywhere he will be spied upon . . . . Also it is part of these tyrannical measures to impoverish the nation so as to bolster the funds available for military defense, and so that the common citizens will be occupied with earning their livelihood and will have neither leisure nor opportunity to engage in conspiratorial acts . . . . Thus, the tyrant is inclined constantly to foment wars in order to preserve his own monopoly of power.
–Aristotle, Politics bk v, xi (350 BCE)
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”