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So far as I can see, all political thinking for years past has been vitiated in the same way. People can foresee the future only when it coincides with their own wishes, and the most grossly obvious facts can be ignored when they are unwelcome. . . To appreciate the danger of Fascism the Left would have had to admit its own shortcomings, which was too painful; so the whole phenomenon was ignored or misinterpreted, with disastrous results.
The most one can say is that people can be fairly good prophets when their wishes are realizable. But a truly objective approach is almost impossible, because in one form or another almost everyone is a nationalist… The most intelligent people seem capable of holding schizophrenic beliefs, or disregarding plain facts, of evading serious questions with debating-society repartees, or swallowing baseless rumours and of looking on indifferently while history is falsified. All these mental vices spring ultimately from the nationalistic habit of mind, which is itself, I suppose, the product of fear and of the ghastly emptiness of machine civilization….
I believe that it is possible to be more objective than most of us are, but that it involves a moral effort. One cannot get away from one’s own subjective feelings, but at least one can know what they are and make allowance for them.
–George Orwell, London Letter in: Partisan Review (Winter, 1945)
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”