SIGN IN to access Harper’s Magazine
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
As reading is said to be dying, at least by our latest and most trusted oracles, rereading must not be dying but surely should be, by now, dead. And yet, all reading is rereading, even when we read the book in our hands for the first time. Whereas, when we watch a work of cinematic art for the first time, we cannot, in a theater, pause to appreciate a particularly compelling moment, or ponder a movingly complex insight into the human condition. But from the first crack of its spine a book has the pause-and-rewind option available at all times. This is not a detail I would use to argue for the superiority of reading as a delivery device for narrative entertainment so much as I would suggest that it is a significant feature of the difference between such experiences.
I put forth that all reading is rereading, and know I am not alone in professing this axiom. All readers who are also writers, for example, reread–their own work, of course, compulsively, but also the work of the particular writers in whose endeavors they find themselves at home, whether owing to similarity or difference.
For readers one of the great miseries is to find oneself trapped on a bus without a book, and one of the greater miseries is to be trapped on a bus with a bad book, or merely a book that one has no desire, at the moment, to read. As such, the Amazon Kindle has been, if only conceptually, much on my mind. I haven’t used one, much less seen one, much less actually done any research about what they do. For me the Kindle is like cold fusion–a terrific idea of the space age that I’d be all for, if it were to exist.
My hypothetical Kindle is a device upon which would reside all the books I’ve read and which I either reread or know I will reread. It waits weightless in my (hypothetical) carry-on that I take with me on my (nonexistent) frequent international flights. At 40,000 feet, 15 hours from my (imaginary) destination, I could, uninvolved by The Widows of Eastwick, dip back into Pale Fire or The Autobiography of John Stuart Mill or Tatlin!. My Kindle would be a device devoted not to the new but to the old, a portable library of greatest hits without a miss, an iPod of ideal literature. But, of course, I do not travel. Bookshelves suffice.
More from Wyatt Mason:
Conversation — October 2, 2015, 8:26 am
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”
In Havana, the past year has been marked by a parade of bold-faced names from the north — John Kerry reopening the United States Embassy; Andrew Cuomo bringing a delegation of American business leaders; celebrities ranging from Joe Torre, traveling on behalf of Major League Baseball to oversee an exhibition game between the Tampa Bay Rays and the Cuban national team, to Jimmy Buffett, said to be considering opening one of his Margaritaville restaurants there. All this culminated with a three-day trip in March by Barack Obama, the first American president to visit Cuba since Calvin Coolidge in 1928. But to those who know the city well, perhaps nothing said as much about the transformation of political relations between the United States and Cuba that began in December 2014 as a concert in the Tribuna Antiimperialista.
Chances that a Republican man believes that “poor people have hard lives”:
A school in South Korea was planning to deploy a robot to protect students from unwanted seductions.
Nuremberg’s Neues Museum filed a criminal complaint against a 91-year-old woman who completed a crossword puzzle that was in fact a $116,000 piece of avant-garde Danish art.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”