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“The westerly excrescence of the continent of Asia, which we call Europe, came to dominate the world during the course of the second millennium AD.” This sentence begins a book to be published next week, Europe Between the Oceans (Yale), by Barry Cunliffe. I suggest that all but the most ardent button-pusher should be seduced by a book that begins this way.
“The westerly excrescence of the continent of Asia” is a phrase that feels like bathhouse leer: loaded with intimation, but withholding information. What, exactly, is the author hiding under his “excrescence”? Climbing, rung by rung, the word’s definitional ladder, leads not to denomination, but only to greater perplexity. My OED tells me that an “excrescence” is both “1. something that grows out, a natural growth or appendage;” and “2. an abnormal, morbid, or disfiguring outgrowth.”
As we overtake the comma, we reach “which we call Europe”—and arrive at our excrescence. Cunningly, Cunliffe has tagged Europe thus: both normal and not so. In the space of not-quite a sentence, and with special thanks to a well-chosen word, we readers understand that a revisionist history is in our hands, one that does not begin, sleepily, “This is a revisionist history of Europe.” Rather it begins, alertly, as such a history.
I’m only in the first half of the oversized, 500-page Europe Between the Oceans. So far, it tells the story of Europe’s rise as a matter more of matter than of art: how land and water tell, if not the whole story of civilization, somewhere between much and most. Smartly and beautifully, Cunliffe has jammed his story with pictures, maps, drawings, and every kind of rarity. Rarest of all, though, seems to be its author’s equal command of landmasses and language.
More from Wyatt Mason:
Conversation — October 2, 2015, 8:26 am
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”
Years ago, I lived in Montana, a land of purple sunsets, clear streams, and snowflakes the size of silver dollars drifting through the cold air. There were no speed limits and you could legally drive drunk. My small apartment in Missoula had little privacy. In order to write, I rented an off-season fishing cabin on Rock Creek, a one-room place with a bed and a bureau. I lacked the budget for a desk. My idea was to remove a sliding door from a closet in my apartment and place it over a couple of hastily cobbled-together sawhorses.
Average exam score, in a SUNY-Fredonia study, for students who only listened to a podcast of their professor’s lecture:
Boys in Taiwan are likelier than girls to vomit in order to lose weight.
Hundreds of women in yoga pants marched through Barrington, Rhode Island, to defend their right to wear the garment, and Trump vowed to sue every woman accusing him of sexual assault. “I look so forward to doing that,” he said.
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"She never thanked me, never looked at me—melted away into the miserable night, in the strangest manner I ever saw. I have seen many strange things, but not one that has left a deeper impression on my memory than the dull impassive way in which that worn-out heap of misery took that piece of money, and was lost."