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Now, now the mirth comes,
With the cake full of plums,
Where Bean’s the king of the sport here;
Besides we must know,
The pea also
Must revel, as queen, in the court here.
Begin then to choose,
This night as ye use,
Who shall for the present delight here,
Be a king by the lot,
And who shall not
Be Twelfth-day queen for the night here.
Which known, let us make
Joy-sops with the cake;
and let not a man then be seen here,
Who, unurg’d, will not drink,
To the base from the brink,
A health to the king and queen here.
Next crown the bowl full
With the gentle lamb’s-wool
Add sugar, nutmeg, and ginger,
With store of ale too;
And thus ye must do
To make the wassail a swinger.
Give then to the king
And queen wassailing;
And, though with ale ye be wet here,
Yet part ye from hence
As free from offense,
As when ye innocent met here.
–Robert Herrick, Now, Now the Mirth Comes (1660)
Happy Twelfth Night. Enjoy Your Revels. And listen, on the way to them, to Andreas Scholl singing John Dowland’s “I Saw My Lady Weepe” from the Second Booke of Songs or Ayres (1600)
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”