SIGN IN to access Harper’s Magazine
Need to create a login? Want to change your email address or password? Forgot your password?
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
Here is some music for an early January afternoon. The settecento is filled with wonderful violin music, but the real gem of the epoch is Pietro Antonio Locatelli’s L’arte del violino, published as opus 3 in Amsterdam in 1733. We usually associate the virtuoso violin with the epoch of Paginini, but a century earlier, Locatelli was doing unimaginable things with a violin, and building a series of concertos around his technical virtuosity. There are twelve concertos in the opus, and each features a virtuoso capriccio in which the violinist is challenged to a new kind of artistry. There are a number of recordings of the opus 3, including a memorable one by Suzanne Lautenbacher with the Mainz Chamber Orchestra (Vox CD X 5018), but one wins hands down, and it involves period instruments to boot: Elizabeth Wallfisch with the Raglan Baroque Players in a Hyperion recording from 1993 (Hyperion CD A66721/3). Here is the first concerto, famous for its vexatiously difficult bowing (note the slurred staccato in the capriccio to the second movement), it introduces the opus with real panache. Elizabeth Wallfisch performs on a baroque violin, made around 1750 by Petrus Paulus de Vitor in Brescia.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”