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Here is some music for an early January afternoon. The settecento is filled with wonderful violin music, but the real gem of the epoch is Pietro Antonio Locatelli’s L’arte del violino, published as opus 3 in Amsterdam in 1733. We usually associate the virtuoso violin with the epoch of Paginini, but a century earlier, Locatelli was doing unimaginable things with a violin, and building a series of concertos around his technical virtuosity. There are twelve concertos in the opus, and each features a virtuoso capriccio in which the violinist is challenged to a new kind of artistry. There are a number of recordings of the opus 3, including a memorable one by Suzanne Lautenbacher with the Mainz Chamber Orchestra (Vox CD X 5018), but one wins hands down, and it involves period instruments to boot: Elizabeth Wallfisch with the Raglan Baroque Players in a Hyperion recording from 1993 (Hyperion CD A66721/3). Here is the first concerto, famous for its vexatiously difficult bowing (note the slurred staccato in the capriccio to the second movement), it introduces the opus with real panache. Elizabeth Wallfisch performs on a baroque violin, made around 1750 by Petrus Paulus de Vitor in Brescia.
More from Scott Horton:
Six Questions — October 18, 2014, 8:00 pm
Nathaniel Raymond on CIA interrogation techniques.
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
From the June 2014 issue
Hours per day that a death-row inmate in China wears hand and ankle restraints:
A multidisciplinary team detected cardiac arrhythmia in the works of Beethoven.
There was a run on cases of 5.56mm M855 green-tip rifle bullets, after the White House moved to ban their manufacture and sale because they can pierce police armor.
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