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Many years ago, I came upon a little book called The Misspeller’s Guide. It listed, alphabetically, commonly misspelled words, under the principle that if one only knew how to misspell a word, one would not know how to find it in a dictionary. Thus went the logic of this obscene little book: one would look up the word one didn’t know how to spell and find it there misspelled, adjoining which misspelling would be… the correct spelling.
A rather roundabout way to get one’s way, and so I thank COMMAND-OPTION-L, which brings up the spellchecker in my word processor, every chance I get. I’m not that strong a speller, and so I don’t for a moment undervalue the idea of a guide, any guide, that should take as its ambition the deepening of a reader’s knowledge of a subject however narrow. And yet, I do want more than bran with my muffin, and expect these good-for-you-guides to offer something in the way of flavor, a flavor very absent from the Soviet-era soup of The Misspeller’s Guide.
Whereas Fowler’s Modern English Usage, in any of its incarnations, is pure pleasure. There’s doubtless a medicinal value to its entries, but they entertain so deeply and purely that it all goes down very sweetly. Over the years, I’m sure I’ve read it more for pleasure than with purpose, less in the hope of resolving a confusion over “pleonasm” than to discover that “pleonasm” was something at all. Where the New Oxford American Dictionary defines the term as “the use of more words than are necessary to convey meaning, either as a fault of style or for emphasis,” Fowler’s, at left, offers a little lesson.
And that’s just the beginning of the entry. It goes on, there, and elsewhere (“see also TAUTOLOGY;” “see also SIAMESE TWINS.”) I love to “see also,” and find there’s enormous pleasure in seeing the confusing and frequently frustrating set of expectations and hesitations we call a language wrestled with, agreeably. Who could resist the little dance of “piteous”?
Yes, spontaneous development has worked badly here, but one can always “See also PLENTEOUS” and watch things work out, if not better, charmingly enough.
(For more about “the seamy underbelly” of such guides, you could do a great deal worse than spend an hour with this.)
More from Wyatt Mason:
Conversation — October 2, 2015, 8:26 am
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”
Years ago, I lived in Montana, a land of purple sunsets, clear streams, and snowflakes the size of silver dollars drifting through the cold air. There were no speed limits and you could legally drive drunk. My small apartment in Missoula had little privacy. In order to write, I rented an off-season fishing cabin on Rock Creek, a one-room place with a bed and a bureau. I lacked the budget for a desk. My idea was to remove a sliding door from a closet in my apartment and place it over a couple of hastily cobbled-together sawhorses.
Amount the inventor of the yellow “smiley face” had received for it by the time of his death in April:
An astrophysicist observed that the early universe looked like vegetable soup.
In North Korea, a missile capable of striking U.S. bases overseas blew up immediately after a test launch, and in North Carolina, a G.O.P. headquarters was firebombed.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”