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Many years ago, I came upon a little book called The Misspeller’s Guide. It listed, alphabetically, commonly misspelled words, under the principle that if one only knew how to misspell a word, one would not know how to find it in a dictionary. Thus went the logic of this obscene little book: one would look up the word one didn’t know how to spell and find it there misspelled, adjoining which misspelling would be… the correct spelling.
A rather roundabout way to get one’s way, and so I thank COMMAND-OPTION-L, which brings up the spellchecker in my word processor, every chance I get. I’m not that strong a speller, and so I don’t for a moment undervalue the idea of a guide, any guide, that should take as its ambition the deepening of a reader’s knowledge of a subject however narrow. And yet, I do want more than bran with my muffin, and expect these good-for-you-guides to offer something in the way of flavor, a flavor very absent from the Soviet-era soup of The Misspeller’s Guide.
Whereas Fowler’s Modern English Usage, in any of its incarnations, is pure pleasure. There’s doubtless a medicinal value to its entries, but they entertain so deeply and purely that it all goes down very sweetly. Over the years, I’m sure I’ve read it more for pleasure than with purpose, less in the hope of resolving a confusion over “pleonasm” than to discover that “pleonasm” was something at all. Where the New Oxford American Dictionary defines the term as “the use of more words than are necessary to convey meaning, either as a fault of style or for emphasis,” Fowler’s, at left, offers a little lesson.
And that’s just the beginning of the entry. It goes on, there, and elsewhere (“see also TAUTOLOGY;” “see also SIAMESE TWINS.”) I love to “see also,” and find there’s enormous pleasure in seeing the confusing and frequently frustrating set of expectations and hesitations we call a language wrestled with, agreeably. Who could resist the little dance of “piteous”?
Yes, spontaneous development has worked badly here, but one can always “See also PLENTEOUS” and watch things work out, if not better, charmingly enough.
(For more about “the seamy underbelly” of such guides, you could do a great deal worse than spend an hour with this.)
More from Wyatt Mason:
Conversation — October 2, 2015, 8:26 am
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: ‘If you want to match our emotional intensity, that would be fine.’”
The new docudrama The People v. O. J. Simpson: American Crime Story (FX) isn’t really about Orenthal James Simpson. It’s about the trials that ran alongside his — those informal, unboundaried, court-of-public-opinion trials in which evidence was heard for and against the murder victims, the defense and the prosecution, the judge, the jury, and the Los Angeles Police Department, to say nothing of white and black America. History has freed us from suspense about Simpson’s verdict, so that the man himself (played here by Cuba Gooding Jr.) is less the tragic hero he seemed in the mid-Nineties than a curiously minor character. He comes to the center of our attention only once, in Episode 2, at the end of the lengthy Ford Bronco chase scene — which in real life was followed by a surreal cavalcade of police cars and media helicopters, as well as an estimated 95 million live viewers — when Simpson repeatedly, and with apparent sincerity, apologizes for taking up so much of so many people’s time. It is an uncannily ordinary moment of social decorum, a sort of could-you-please-pass-the-salt gesture on a sinking Titanic, in which Simpson briefly becomes more than just an archetype.
Amount an auditor estimated last year that Oregon could save each year by feeding prisoners less food:
Kentucky is the saddest state.
An Italian economist was questioned on suspicion of terrorism after a fellow passenger on an American Airlines flight witnessed him writing differential equations on a pad of paper.
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“Matt was happy enough to sustain himself on the detritus of a world he saw as careening toward self-destruction, and equally happy to scam a government he despised. 'I’m glad everyone’s so wasteful,' he told me. 'It supports my lifestyle.'”