SIGN IN to access Harper’s Magazine
Need to create a login? Want to change your email address or password? Forgot your password?
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
“If we admitted that we are not going to fight a war with China anytime soon, we could retire chunks of the Air Force and Navy that are justified by that mission. Even with a far smaller defense budget, ours will remain the world’s most powerful military by a large margin. The recently enacted GI Bill, which gives veterans a subsidized or free college education, offers a vehicle for transitioning military personnel into the civilian economy.”
“The SDS– scent delivery system– is one of the add-ons that Stone has adopted to make the training games more realistic. It consists of eight sealed chambers, each of which holds a pot of wax impregnated with a pungent odour. Available at $25 (£17.26) each from Biopac, an American educational supplies company, they range from the likes of gingerbread and April showers to a mix of odours designed to evoke combat. On command from the computer, compressed air is blown over some or several of the chambers to stir up an instant impression of Kandahar.”
“Throughout the Limbo, the first circle of hell, you’ll come across Virgil, the author of the Aenid and Dante’s guide, and he’ll actually relay lines from the epic poem. Yes, in between, slaying demons and wrecking havoc through hell, you can pause to read from one of the classics of Western literature… But artistic license aside, there are also moments in the game that are cringe-inducingly literal. For example, you’ll actually run across unbaptized babies, which are mentioned in the text. EA Redwood Shores imagines them as zergling creatures that have blades for feet and Dante will have to kill them as they skitter, spiderlike, across the floor… Dante’s Inferno is schedule to be released next year.” (via)
“Geoffrey Hill: I do not wish to repeat the opposition between science and poetry. It is not science that is the enemy of poetry, but the fact that our world is secular and governed by this plutocratic anarchy which I talked about yesterday. What produces poetry is the exact opposite of what produces this secular concern. But it is wise to admit that this world of plutocratic anarchy is more powerful than anything.”
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”