- Current Issue
SIGN IN to access the Harper’s archive
ALERT: Usernames and passwords from the old Harpers.org will no longer work. To create a new password and add or verify your email address, please sign in to customer care and select Email/Password Information. (To learn about the change, please read our FAQ.)
Voglio di vita uscir, voglio che cadano
Quest’ossa in polve e queste membra in cenere,
E che i singulti miei tra l’ombre vadano.
Già che quel piè ch’ingemma l’herbe tenere
Sempre fugge da me, ne lo tratengono
I laci, hoimè, del bel fanciul di Venere.
Vo che gl’abissi il mio cordoglio vedano,
E l’aspro mio martir le furie piangano,
E che i dannati al mio tormento cedano.
A Dio crudel, gl’orgogli tuoi rimangono
A incrudelir con gl’altri. A te rinunzio,
Ne vo più che mie speme in te si frangono.
S’apre la tomba, il mio morir t’annuntio.
Una lacrima spargi, et alfin donami
Di tua tarda pietade un solo nuntio,
E s’amando t’offesi, homai perdonami.
I wish to leave this life, I wish that
My bones would turn to powder and my limbs to ashes,
So that my cries would be lost among the shadows.
Since those feet which trod the fresh grass
Flee always from me; nor are they constrained,
Alas, by the chains of the son of Venus.
I want the depths to see my pain,
The Furies to cry for my hard suffering,
And the damned to know of my torment.
Farewell, cruel love, let your pride remain
To torment others; I renounce you,
No more will you confound my hopes.
The tomb opens up: my death draws near.
Let fall a single tear and at long last give me
A solitary sign of your belated pity,
And if my love gave you offense, forgive me!
–Anonymous 16th cen. Italian Madrigal (S.H. transl.)
The text of this madrigal was historically attributed to Claudio Monteverdi himself, but that is doubtful, and the lines clearly are a blank-verse adaptation from a famous passage in Ludovico Ariosto’s Orlando Furioso.
Listen to the setting by Claudio Monteverdi taken from Il Lamento d’Olimpia in two performances, first a modern one sung by Emma Kirkby and second a more traditional Baroque countertenor version sung by Marco Longhini.
<object width=”425″ height=”344″><param name=”movie” value=”http://www.youtube.com/v/c3KK6Drj3J0&hl=it&fs=1″> <embed src=”http://www.youtube.com/v/c3KK6Drj3J0&hl=it&fs=1″ type=”application/x-shockwave-flash” allowscriptaccess=”always” allowfullscreen=”true” width=”425″ height=”344″></embed></object></p>
<object width=”425″ height=”344″><param name=”movie” value=”http://www.youtube.com/v/OfVTFl2Tvqg&hl=it&fs=1″> <embed src=”http://www.youtube.com/v/OfVTFl2Tvqg&hl=it&fs=1″ type=”application/x-shockwave-flash” allowscriptaccess=”always” allowfullscreen=”true” width=”425″ height=”344″></embed></object></p>
More from Scott Horton:
No Comment — April 12, 2013, 11:11 am
A new report from Seton Hall University exposes government surveillance of attorney-client conversations
Rashid Khalidi on how the United States sustains the failure of the Israel-Palestine peace process
Alex Gibney on his documentary investigating the Roman Catholic Church’s handling of child sex-abuse cases
Lucas Mann on hope and change in a minor-league-baseball city
Minimum number of baboons forced to smoke crack in a 1989 study testing the efficacy of cigarettes as a drug delivery device:
A reduction in distrust toward atheists was documented among pious Canadians who are reminded of the Vancouver police.
A Missouri cinema apologized for hiring an actor dressed in body armor and carrying a fake rifle to appear at a screening of Iron Man 3.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
Winner of the 2012 Olivier Rebbot Award for best photographic reporting from abroad in magazines or books