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Those of us at Harper’s appreciate rudeness no matter who is in charge. See this wonderful essay by Mark Slouka from June 2008:
[S]urely one could argue that the American democratic experiment was at least in part an attempt to challenge this “reality,” to establish a political and legal culture from which would emerge, organically, a new sensibility: independent, unburdened by the protocols of class, skeptical of inherited truths. Willing to be disobedient. To moon the lord.
Alas, if that was the plan, it went sideways a long time ago. In today’s America, the majority is nothing if not impressed by power and fame (its legitimacy is irrelevant), nothing if not obedient. As for mooning the lord, the ass to the glass these days is more likely to be the lord’s, and our own posture toward it, well, something short of heroic.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”