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I spoke at a panel last week sponsored by the Center for Immigration Studies (CIS), a conservative group, about its new report on the Southern Poverty Law Center. The report examines the efforts by the Law Center “to smear the Federation for American Immigration Reform and, by extension, the Center for Immigration Studies.”
For the record, I am totally opposed to CIS’s stance on immigration, as I stated at the press conference. I accepted the invitation to speak on the panel because it came from my friend Jerry Kammer, of whom I am a big admirer.
I also agreed to the invitation because, much like CIS, I feel that the Law Center is essentially a fraud and that it has a habit of casually labeling organizations as “hate groups.” (Which doesn’t mean that some of the groups it criticizes aren’t reprehensible.) In doing so, the SPLC shuts down debate, stifles free speech, and most of all, raises a pile of money, very little of which is used on behalf of poor people.
Here’s an excerpt from a story I wrote about the SPLC for Harper’s back in 2000:
Today, the SPLC spends most of its time–and money–on a relentless fund-raising campaign, peddling memberships in the church of tolerance with all the zeal of a circuit rider passing the collection plate. “He’s the Jim and Tammy Faye Bakker of the civil rights movement,” renowned anti- death-penalty lawyer Millard Farmer says of Dees, his former associate, “though I don!t mean to malign Jim and Tammy Faye.” The Center earned $44 million last year alone–$27 million from fund-raising and $17 million from stocks and other investments–but spent only $13 million on civil rights programs, making it one of the most profitable charities in the country.
In 1987, Dees won a $7 million judgment against the United Klans of America on behalf of Beulah Mae Donald, whose son was lynched by two Klansmen. The UKA’s total assets amounted to a warehouse whose sale netted Mrs. Donald $51,875. According to a groundbreaking series of newspaper stories in the Montgomery Advertiser, the SPLC, meanwhile, made $9 million from fund-raising solicitations featuring the case, including one containing a photo of Michael Donald’s corpse.
The SPLC is already the wealthiest civil rights group in America, though this letter quite naturally omits that fact. Other solicitations have been more flagrantly misleading. One pitch, sent out in 1995-when the Center had more than $60 million in reserves-informed would-be donors that the “strain on our current operating budget is the greatest in our 25-year history.” Back in 1978, when the Center had less than $10 million, Dees promised that his organization would quit fund-raising and live off interest as soon as its endowment hit $55 million. But as it approached that figure, the SPLC upped the bar to $100 million, a sum that, one 1989 newsletter promised, would allow the Center “to cease the costly and often unreliable task of fund raising. ” Today, the SPLC’s treasury bulges with $120 million, and it spends twice as much on fund-raising-$5.76 million last year-as it does on legal services for victims of civil rights abuses.
The SPLC operates on the same basis today. Oh, except its treasury is now up to $175 million or so, bigger than the GNP of some of the world’s smaller nations.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”