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No more than any other political method does democracy always produce the same results or promote the same interests or ideals. Rational allegiance to it thus presupposes not only a schema of hyper-rational values but also certain states of society in which democracy can be
expected to work in ways we approve. Propositions about the working of democracy are meaningless without reference to given times, places and situations and so, of course, are anti-democratic arguments.
This after all is only obvious. It should not surprise, still less shock, anyone. For it has nothing to do with the fervor or dignity of democratic conviction in any given situation. To realize the relative validity of one’s convictions and yet stand for them unflinchingly is what distinguishes a civilized man from a barbarian.
–Joseph Schumpeter, Capitalism, Socialism and Democracy, p. 243 (1943)
This passage from Schumpeter’s magnum opus demonstrates the depth and quality of his commitment to democracy, but also his essentially Weberian understanding of the duties of political actors in a democratic state. That is particularly the case for the close, “to realize the relative validity of one’s convictions and yet stand for them unflinchingly is what distinguishes a civilized man from a barbarian.” He is drawing on core ideas of Politics as a Vocation, and particularly the notion that a democratic political leader must embrace and expound ideals that motivate and inspire, even if the political exigencies of certain circumstances cause him to compromise them. These convictions are nevertheless essential and valid, and a democratic society that does not have them will sink into barbarity. These words are heartfelt. They reflect Schumpeter’s own experiences in his native Austria, torn apart by political strife and dragged ultimately to Anschluß and self-destruction, and his view of America as a state which successfully managed and reconciled these tensions–a stable and mature democracy, though certainly one with its own challenges.
Listen to Erich Wolfgang Korngold’s Symphony in F Sharp Major, op. 40 (1947). Like Schumpeter, Korngold was born in Moravia, made his career first in Austria and then emigrated to the United States, where he achieved success as Hollywood’s leading composer. In this work, dedicated to the memory of Franklin D. Roosevelt, Korngold salutes America as the promise and protector of democracy.
More from Scott Horton:
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
From the June 2014 issue
No Comment — March 28, 2014, 12:32 pm
On CIA secrecy, torture, and war-making powers
Chance that a movie script copyrighted in the U.S. before 1925 was written by a woman:
Cari Beauchamp, Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood, Charles Scribner's Sons (N.Y.C.)
Engineers funded by the United States military were working on electrical brain implants that will enable the creation of remote-controlled sharks.
Malaysian police were seeking fifteen people who appeared in an online video of the Malaysia-International Nude Sports Games 2014 Extravaganza, and Spanish police fined six Swiss tourists conducting an orgy in the back of a moving van for not wearing their seatbelts.
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“I hope that after reading the following pages the leaders of the Y. M. C. A. will start a campaign to induce good young men to do nothing. If so, I shall not have lived in vain.”