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The vast majority of passengers on my flights into and out of Kabul were white males, many with military-style haircuts and several with military tattoos. A few may be on active duty. Most probably are private security consultants. As in Iraq, contractors have come to play an increasing role in the way America fights wars.
More significant, though, is the appearance that this is America’s, not Afghanistan’s, war. Afghans are doing most of the dying, of course. But the conflict is what it is because of American (and Western) men and money. As a city of several million, Kabul is most definitely Afghan. Nevertheless, the city’s organization—to the extent that it exists—is Western. Traffic, commerce, government, and much else revolves around foreign soldiers, diplomats, consultants, aid workers, journalists, and other outsiders who typically show up during war.
More from Ken Silverstein:
Perspective — October 23, 2013, 8:00 am
How pro-oil Louisiana politicians have shaped American environmental policy
Postcard — October 16, 2013, 8:00 am
A trip to one of the properties at issue in Louisiana’s oil-pollution lawsuits
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”