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People often think that editors are there to read things and tell people “no.” Saying “no” is a tiny part of the job. Editors are first and foremost there to ship the product without getting sued. They order the raw materials—words, sounds, images—mill them to approved tolerances, and ship. No one wrote a book called Editors: Get Real and Ship or suggested that publishers use agile; they don’t live in a “culture” of shipping, any more than we live in a culture of breathing. It’s just that not shipping would kill the organism. This is not to imply that you hit every sub-deadline, that certain projects don’t fail, that things don’t suck. I failed plenty, myself. It just means that you ship. If it’s too hard to ship or you don’t want to deal with it, you quit or get fired. –“Real Editors Ship,” Paul Ford, Ftrain
The geography of the brain ought to be taught in school, like the countries of the world. The deeply folded cortex forms the outer layer. There are the twin hemispheres, right brain and left brain. (We may be of two minds.) There are the four lobes: frontal in front, occipital (visual cortex) in back, parietal (motor cortex) on top, and temporal behind the ears. There’s the limbic system (seat of emotion and memory) at the center. There’s the brain stem, whose structures keep us awake (required for consciousness) or put us to sleep (required for regeneration of neurotransmitters). –“What is Consciousness,” Priscilla Long, Adbusters
Consistency is not one of Brooks’s hobgoblins; he has no qualms about changing his mind. His list of reversals is testament to his intellectual flexibility—or flabbiness, depending on your angle. His view of suburbia has dimmed, based on his new appreciation for communitarianism. Back in 2008, he strongly opposed the bailout of GM. “I might have been wrong about that,” he says. And of course there’s Iraq. As late as 2007, he called Iraq “one of the noblest endeavors the United States, or any great power, has ever undertaken.” He knew the war was profoundly anti-Burkean. But it suited his quest for “national greatness”—a gauzy vision of conservatism he and Kristol had been pushing since 1997. “It was an unfortunate deviation from my core philosophy,” he says. –“A Reasonable Man,” Christopher Beam, New York
More from TedRoss:
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”