SIGN IN to access Harper’s Magazine
1. Sign in to Customer Care using your account number or postal address.
2. Select Email/Password Information.
3. Enter your new information and click on Save My Changes.
Subscribers can find additional help here. Not a subscriber? Subscribe today!
I’m still asked surprisingly often about “Scent of a Woman’s Ink,” which Harper’s Magazine published more than a decade ago — an essay in which I tried to understand why and how the work of women writers was not taken as seriously (or read the same way) as that of men. I tell people that I was lucky enough to find quotes from male critics and writers (such as one from Norman Mailer about always being able to “sniff out the ink of the women,” from which I took my title) that were written before men learned it wasn’t acceptable to say such things.
But I suppose I shouldn’t be surprised. Because the recent controversy about the Guardian interview in which V. S. Naipaul claimed that no woman was his equal and that he too could instantly sniff out that telltale estrogenic ink has made it clear (in case it needed clarification) that “before” is “now.” The notion of women’s inferiority apparently won’t go away. Of course, the idea that Naipaul imagines he is a better writer than Jane Austen would be simply hilarious if the prejudice it reveals weren’t still so common and didn’t have such a damaging effect on what some of us have chosen to do with our lives.
When “Scent of a Woman’s Ink” appeared, it stirred up a storm of debate. I was denounced and discussed in many newspaper book sections that no longer exist. I will always be grateful to Harper’s for hosting a dinner party a few weeks later at which I could be pleasant to some of the editors whose publications, I’d noted, too rarely published or reviewed women—and thus could salvage what remained of my career. Now when the subject of “women’s writing” comes up, as it periodically does, the result is more of a dust devil than a typhoon. Women are distressed and disheartened all over again—and then the subject quietly, politely disappears.
I suppose a writer should be happy when a piece she wrote more than ten years ago seems as fresh and as pertinent as if it had been written yesterday. But in this case, I don’t find it a reason for celebration or self-congratulation. Honestly, I’d rather that “Scent of a Woman’s Ink” seemed dated: a period piece about a problem women no longer have.
More from Francine Prose:
Context — July 31, 2015, 1:07 pm
How American high school students learn to loathe literature
Years ago, I lived in Montana, a land of purple sunsets, clear streams, and snowflakes the size of silver dollars drifting through the cold air. There were no speed limits and you could legally drive drunk. My small apartment in Missoula had little privacy. In order to write, I rented an off-season fishing cabin on Rock Creek, a one-room place with a bed and a bureau. I lacked the budget for a desk. My idea was to remove a sliding door from a closet in my apartment and place it over a couple of hastily cobbled-together sawhorses.
Average number of bacteria living in a pound of U.S. mud:
Canadian doctors saved a baby from drowning in his own drool by using Botox on his salivary glands.
A black bear named Pedals, famous for walking upright on his hind legs through Rockaway Township, New Jersey, was reported killed by a hunter, and a hiker in California was attacked after he interrupted two bears mating. It was a “pretty good bear attack,” said the local police chief.
Subscribe to the Weekly Review newsletter. Don’t worry, we won’t sell your email address!
"She never thanked me, never looked at me—melted away into the miserable night, in the strangest manner I ever saw. I have seen many strange things, but not one that has left a deeper impression on my memory than the dull impassive way in which that worn-out heap of misery took that piece of money, and was lost."