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The Ransom Center at the University of Texas at Austin, which possesses one of the most impressive literary archives in the United States, has an exhibition opening this week focused on an interesting set of signatures from Manhattan’s literary scene during the early 1920s:
“The Greenwich Village Bookshop Door: A Portal to Bohemia, 1920–1925 uses an unusual artifact, Frank Shay’s bookshop door signed by over 240 writers, artists, actors, and publishers, to recreate the intersecting communities that made the Village an epicenter of American modernism.”
The Ransom Center pointed out to us the names of four Harper’s Magazine contributors who signed the door. Harry Hansen and Scudder Middleton only wrote a handful of Harper’s pieces between them, but the other two, Ben Ray Redman and Mary Heaton Vorse were frequent contributors. Subscribers can read their pieces by following the links above. For everyone, a taste of Scudder’s verse:
All of the Harper’s writers represented on the door, you’ll note, have superbly literary names — surpassed only, perhaps, by those of their fellow signatories Bosworth Crocker, Rutger Bleecker Jewett, and Egmont Arens. As for the most outlandish name on the door, “John Dos Passos,” we seriously doubt such a person existed.
More from Harper’s Magazine:
Official Business — March 17, 2015, 4:01 am
Listen to the broadcast version of “American Hustle,” Alexandra Starr’s story, for the April 2015 issue of Harper’s Magazine, about how elite youth basketball exploits African athletes.
Official Business — January 8, 2015, 3:57 pm
We defend Charlie Hebdo’s right to publish its cartoons—and our right to critique them.
Amount by which the number of government jobs in the U.S. exceeds the number of manufacturing jobs:
The sound of mice being clicked may induce seizures in house cats.
In Turlock, California, nearly 3,500 samples of bull semen were stolen from the back of a truck.
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“Civilization masks us with a screen, from ourselves and from one another, with thin depth of unreality. We habitually live — do we not? — in a world self-created, half established, of false values arbitrarily upheld, largely inspired by misconception, misapprehension, wrong perspective, and defective proportion, misapplication.”