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Should critics, especially those who write about relatively marginalized areas of culture, simply ignore work they don’t like? Should they treat it harshly? Or is there some third path between these two? Is a critic primarily a consumer reporter, telling her reader whether to go out and buy a book or a ticket to the show? Or is the critic’s first job to engage with the work at hand in an honest way, even if that means dismissing work that otherwise would go unnoticed?
On Monday, February 4, at 6:30 p.m., please join Harper’s Magazine associate editor Christopher Beha, who will be moderating a panel featuring critics Daniel Mendelsohn, Laura Miller, Troy Patterson, and Jacob Silverman, sponsored by the New School’s School of Writing.
Location: Theresa Lang Community and Student Center, Arnhold Hall, 55 West 13th Street, 2nd floor (map)
Admission: Free; no tickets or reservations required; seating is first-come, first-served
More from Harper’s Magazine:
Mentions — July 16, 2014, 7:00 pm
Watch Jessica Bruder on MSNBC’s The Cycle
Official Business — June 25, 2014, 8:00 am
Average black-market price in Baghdad of a DVD showing the beheading of a foreigner or Iraqi “collaborator”:
Among U.S. children, whites as young as seven perceive blacks to experience less pain than fellow whites.
In a suburb of Salt Lake City, two sister-wives dressed like ninjas were subdued by a man with a sword after they broke into the home of a child whom their husband had allegedly abused.
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“I hope that after reading the following pages the leaders of the Y. M. C. A. will start a campaign to induce good young men to do nothing. If so, I shall not have lived in vain.”