Where Broken Hearts Stand
Grief and recovery on the Badlands of North Dakota
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Grief and recovery on the Badlands of North Dakota
For decades, the story of Theodore Roosevelt’s crushing loss has rested at the back of my mind, if for nothing more than that it seems the ultimate enigma in the biography of our most enigmatic president. Yet this facet of his life surfaced for me recently not because of biography, but geography.
Roosevelt had a profound attachment to two humans: his mother, Mittie, and his first wife, the aristocratic Alice Lee. Both died in a single day when Roosevelt was but twenty-five years old. Ultimately, he took this grief to North Dakota’s Badlands, and somehow — we don’t know how — he coped. This is the enigma: though Roosevelt wrote in great detail about the day-to-day minutiae of this period (and all other periods) of his life, he said nothing at all about how he dealt with arguably his most important and formative loss. Surely the power of the landscape and the wild had something to do with his recovery, but we have no way to confirm this surmise.
So I filed the episode away as irrelevant to my purpose in visiting North Dakota for my feature on the state’s fracking boom in the March issue of Harper’s Magazine. The story would focus on more tangible matters: pipes, flares, drilling rigs, man camps, trucks, money. Yet it seemed to me during my conversations with North Dakotans about the oil industry that grief always lay in the room, a substratum of every conversation, evident mostly as resignation, especially among the handful of prairie-bred conservationists who struggle with the industry directly.
I met with Jan Swenson in the compact living room of a simple wood frame house on Bismarck’s orderly grid of streets. Swenson has been the director and, for all practical purposes, the staff of the Badlands Conservation Alliance for all of its dozen or so years. Though technically an activist, she isn’t true to type. Rather, she is distinctly North Dakotan, Nordic, graying, slight, and late middle-aged, with the habit of pausing at length before she answers, then responding carefully, in involved and fully formed sentences. Her attachment to the Badlands developed when she was a child in Bismarck, a small city set amid what was once prairie, then became wheat fields, and is now oil patch (to use the local term). The Badlands of her childhood offered a counterpoint to the squared and plowed landscape around the city. An hour away by car, it was rugged and rough, uninhabitable and indomitable as the name implied — a place where a child could encounter rattlesnakes and night skies dark enough to reveal all the stars.
Time passed, and she eventually married, moving to the Twin Cities for a time. She returned to the Badlands in the late 1980s to find that the nights there were no longer dark. Oil development had begun, and already natural gas set alight to flare from oil wells was competing with the stars. Her nascent activism began to flare, too.
A bit later, though, her father died. An inheritance in North Dakota usually consists of land, but her patrilineal homestead in the Red River Valley had long since passed to uncles and cousins. She took the cash her father left her and followed an instinct bred in the bones of farm people, converting her legacy to land. She bought a half-section, 320 acres, near Grassy Butte, just before oil rigs began to surround the area in the late 1990s.
Grassy Butte is cattle country, located at the edge of the Badlands. Before oil came along, conservationists battled ranchers about overgrazing. Swenson saw owning a piece of land as a way to inform her view of the struggle. She understood that the ranchers possessed a kind of special insight into the conditions of life on the plains, and that she would need to comprehend their attachment in order to be an effective conservationist. “I wanted to know what it was to live in that community. I loved the place, and I wanted to participate,” she told me. “I wanted to understand why it was so hard for me to talk to a grazier and not be able to share what we had in common.”
After buying the land, she began making plans to live there someday. “I was always of the mind I was going to be a crazy old woman living out at Grassy Butte when I was eighty,” she said. “I haven’t given up on that.”
A couple of things happened to introduce second thoughts, though. One of those was, of course, oil. The second was personal: the death of her son, Webster, at about the same time as the boom began. With his death came a parallel loss of her ability to engage with the land. She became almost literally disoriented. “The entire Badlands were like a strange landscape that I did not recognize,” she said. “It was almost like being lost. Like not knowing the roads any more or the landmarks.”
Over time, she recovered, mostly. She reforged her bond with the Badlands, and the wild places eased her grief. Like Roosevelt, she wouldn’t say how. But she did tell me that she hadn’t yet been able to reattach herself to her own parcel of land — only to the wilder land beyond. Her neighbor’s ranches had already been drilled for oil, becoming part of an industrialized landscape. Her half a square mile now sat in the center of 25,000 square miles on which oilmen have already drilled 5,000 of what might someday be 45,000 wells, laid out in a pattern as ordered and predictable as pixels on a flatscreen. She was no longer sure she could ever live there. “Would you move on?” she said. “I don’t know. I’m not there yet.”
More from Richard Manning:
From the April 1996 issue
I recently spent a semester teaching writing at an elite liberal-arts college. At strategic points around the campus, in shades of yellow and green, banners displayed the following pair of texts. The first was attributed to the college’s founder, which dates it to the 1920s. The second was extracted from the latest version of the institution’s mission statement:
The paramount obligation of a college is to develop in its students the ability to think clearly and independently, and the ability to live confidently, courageously, and hopefully.
Let us take a moment to compare these texts. The first thing to observe about the older one is that it is a sentence. It expresses an idea by placing concepts in relation to one another within the kind of structure that we call a syntax. It is, moreover, highly wrought: a parallel structure underscored by repetition, five adverbs balanced two against three.
Percentage of Britons who cannot name the city that provides the setting for the musical Chicago:
An Australian entrepreneur was selling oysters raised in tanks laced with Viagra.
A naked man believed to be under the influence of LSD rammed his pickup truck into two police cars.
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“Shelby is waiting for something. He himself does not know what it is. When it comes he will either go back into the world from which he came, or sink out of sight in the morass of alcoholism or despair that has engulfed other vagrants.”