Art

Art, Monday Gallery — June 20, 2016, 2:21 pm

©Elmaleh

Paurotis Palms

“Paurotis Palms,” a photograph by Lisa Elmaleh, from her monograph Everglades, which was published this month by Zatara Press. Photograph © Lisa Elmaleh

Art, Sketch — June 15, 2016, 10:58 am

HarpersWeb-Sketch-2016-06-Novak-front

The People’s Alarm

The artist’s interpretation of a speech given in 63 B.C. by Marcus Tullius Cicero, the consul of Rome, in which he denounced senator Lucius Sergius Catilina’s plot to overthrow the Republic.

Art — June 13, 2016, 11:20 am

Mangan-MG

From the Series BLAST

A photograph from the series BLAST, by Jim Mangan, whose work is on view in the group exhibition Land Escapes, at Joshua Liner Gallery, in New York City. Courtesy the artist

Art, Monday Gallery — June 6, 2016, 10:53 am

©MarkCohen

Boy and Black Cat

“Boy and Black Cat,” a photograph by Mark Cohen, whose work is currently on view at Danziger Gallery, in New York City. Courtesy the artist and Danziger Gallery

Art, Sketch — June 1, 2016, 1:03 pm

HarpersWeb-ThenAndNow-Wertz-GP2-front

Greenpoint Then and Now

Illustrations of Manhattan Avenue in Brooklyn, as it appeared in the 1930s and today.

Art, Monday Gallery — May 30, 2016, 8:00 am

Eisenman MG copy

Biergarten at Night

Biergarten at Night, a painting by Nicole Eisenman, whose retrospective Al-ugh-ories is on view through June 26, at the New Museum, in New York City. Courtesy the artist and Bobbi and Stephen Rosenthal, New York City

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Even if federal gun-control advocates got everything they wanted, they couldn’t prevent America’s most popular rifle from being made, sold, and used. Understanding why this is true requires an examination of how the firearm is made.
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"Here in this courtroom, in this city, in this nation, race and the future seem so intertwined as to be the same thing."
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