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March 2022 Issue [Reviews]

Peculiar Things, Yet Intimately Familiar

The elusive fiction of Claire-Louise Bennett
Nightstand 4, by Aubrey Levinthal © The artist. Courtesy M+B, Los Angeles, and Monya Rowe Gallery, New York City

Nightstand 4, by Aubrey Levinthal © The artist. Courtesy M+B, Los Angeles, and Monya Rowe Gallery, New York City

[Reviews]

Peculiar Things, Yet Intimately Familiar

The elusive fiction of Claire-Louise Bennett
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Discussed in this essay:

Pond, by Claire-Louise Bennett. Riverhead. 208 pages. $16.

Checkout 19, by Claire-Louise Bennett. Riverhead. 288 pages. $27.

“I didn’t want to exist in books,” declares the narrator of Claire-Louise Bennett’s Checkout 19, and yet she is surrounded by them. Checkout 19 is, among other things—ostensibly a novel, for instance—a series of essays on reading, and books of all sorts flock through its pages. “I hadn’t yet read a single word by Italo Calvino, Jean Rhys, Borges, or Thomas Bernhard, nor Clarice Lispector,” the reader is told. “I had read Of Mice…

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 is a contributing editor of The New York Review of Books.


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