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Subscribe NowA weekly email taking aim at the relentless absurdity of the 24-hour news cycle.
Sore Loser, oil, molding paste, glass beads, and pumice on canvas, by Sasha Gordon, whose work is on view through July 10 at Matthew Brown Los Angeles.
Courtesy the artist and Matthew Brown Los Angeles
“Untitled (bowl cut),” circa 1986, a photograph by Peggy Levison Nolan, whose work is on view through August 22 at the Patricia & Phillip Frost Art Museum, in Miami.
Courtesy the artist and Dina Mitrani Gallery, Miami
Cascades, Plexiglas, engineered wood, piano wire, ABS strip, acrylic paint, and ink on a birch-plywood panel, by Lucy Williams, whose work is on view through July 3 at Berggruen Gallery, in San Francisco.
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Subscribe NowAt Ivanwald, men learn to be leaders by loving their leaders. “They’re so busy loving us,” a brother once explained to me, “but who’s loving them?” We were. The brothers each paid $400 per month for room and board, but we were also the caretakers of The Cedars, cleaning its gutters, mowing its lawns, whacking weeds and blowing leaves and sanding. And we were called to serve on Tuesday mornings, when The Cedars hosted a regular prayer breakfast typically presided over by Ed Meese, the former attorney general. Each week the breakfast brought together a rotating group of ambassadors, businessmen, and American politicians. Three of Ivanwald’s brothers also attended, wearing crisp shirts starched just for the occasion; one would sit at the table while the other two poured coffee.
Read MoreTimeless stories from our 171-year archive handpicked to speak to the news of the day.