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grief (disarmament)

You’re a terrible witness. Wore stage outfits to testimony and upon returning home in search of his remains, you were really hunting down his flesh of guns. There was a suitcase full of firearms in the closet to the right of the front entrance. Part of my inheritance. It’s gone missing. Only the love songs remain, stacked there in a melting spiral hoping to be imbibed. His guns have gone missing. They’ve become a nomadic violence as limber as fire itself when not confined to the mechanical, or not registered to my long-deceased father who is alive somewhere as this set of machines he collected for protection and leverage, a substitute for literacy, made a killing protecting me. Kept them manicured and close like comfort animals. Can they be traced now? Were they confiscated by the police after his arrest, and sold at auction, or held on to like mementos of his lost soul? Did his brothers, mother, sister, cousins get any? Did they for one moment consider that his daughter might return, not in search of a body or ashes or his grave site or soul fragments, but demanding his weapons and instruments, a Yamaha keyboard and a .45? A stack of tapes. A box of bullets. The cloudy amber prescription pill tubes from his nightstand. Barbiturates and high-pitched minerals. Stale lithium the timbre of shrill grocer roses. Might as well imagine the chandeliered ceiling and him shooting the bulbs down as target practice. Orange shag carpet covered in glass shards like the undrawn eyes of a would-be muse, shot down while high on sleeplessness. Speechless, mercurial as light itself. But he was never that reckless. The suitcase of guns he kept in the coat closet was locked, yellow with silver trim and the glint of a childhood raincoat, each rifle coiled inside of it in a fetal serenity, waiting to be needed the way an embryo awaits its turn to unfold. My heart awaits the impossible verdict. Were they sold to white men who perched them against trees like candy canes at Christmas, reducing my father’s intensity to sport? Or is one waiting for me, behind the trapdoor of a future amnesia, as my love for the kind of intimacy that expires as rage? I’ve outgrown that too. The most violent act of my life has been recovery. Now I must reclaim this rudimentary feeling of losing track of an object that never belonged to me, the material scapegoat for a psychic void. And I will take possession of it, so that it releases me how a trembling finger lifts from the trigger of an unloaded scheme. His guns are missing and I yearn for their stunted buttertoned crib, which I could carry around like a briefcase full of his unlived dreams, or swerve above my head like an erratic kite, pretending our day at the beach together. Bluffing until the sky turns fuchsia in embarrassment. Severing my tie with my weapons’ danger so that they come out of me as ornament and beauty, and everybody I once knew is strange and gagged in the closet, a suspect, gone

 

graft

Though drama can impersonate pain, real pain is uneventful, the process of discovering something that was always there refusing attention, like a monster inside waiting to become you if you don’t catch it first and trade places. Or false modesty switching to dejection when no one corrects it. He used to make the white boys lick his boots at the concert hall before performances. Then he’d borrow their instruments so they couldn’t play anyways like an officer disarms his suspects by exploiting their bravado. This was his subservience taking revenge on itself. His monster saying yes. His way of grieving the funk of their praise before it could tackle and change him. Nothing’s quite as sad as trading tongues in the club that way, fake laughter of bystanders hurling at us like a whip

 

g/rift

Perhaps a corruption of graft    ever after    dishonest toil    broken work

What   ifs   that inspire   you to switch direction mid deliberation or   lament

I can hear the grift machine gearing up again    while clapping for it on cue

Also the orbit of a broken verse in  half-clap like Dilla sampled from heart to skin surface

Insipid    unmapped    unbaptized    three-fifths     and gifted with favor    in a swarm      oppressive favor

skin    first        or when we went to the circus and they yelled

Act your age, not your color      lift   every voice     here  make a chorus of breaks

Miscreants     misremembers     embroiled in fluke and fantasy          took apart

By their own    charade       and pretty   soon this hallucination sponsorship   will come through

Like hit men      called to duty    but bulky with luck            fire on screen does not burn the screen

Your skin stares back at your ending   unfazed unchanged    hoping the skit resolves before

It smudges the notion of real life burning      or teaches passion to behave like luck

A quandary   for the vicious theorists      who mistake concepts   for   deeds or fates

all day     and when dusk arrives      pray    to the flickering gasp of fake fire

scentless     mute embers     of     my silhouette       which he    calls   human   girl

Until my disillusionment   and afterwards     monster pusher

Shows me a mirror with his reflection in it and   says    we made a movie

That it was romantic    that I was ticklish and blushing when I had been

Squirming    unyielding   all the way to Buffalo    with the nauseous fumes

Of Chevy leather   swollen   on my blackened     eyelids     so purple

trying not to fall asleep in the crime’s   dream    right at the part where

He declares his innocence     and I     parody mine for alms      twirling   wishing

To become the fix of glass   that shatters   in the back of his mind when I scream

 is a writer and archivist based in Los Angeles. Her most recent book, Maafa, was published in April by Fence Books.



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November 2022

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