Sentences

Sentences — May 1, 2009, 2:41 pm

Weekend Read: The Last Post

No, by The Last Post, I’m not suggesting, over this first weekend of May, that you curl up with Ford Madox Ford’s novel of that name; rather, I mean to say that this particular post will be my last in this space. One year ago, with the very generous welcome of this old and excellent magazine, I began compiling these notes on reading and writing. The ambition was simple: to take some of the sorts of things I tend to exchange with writer friends via email and place them, regularly, before the public. My expectations were low: I did not …

Sentences — April 29, 2009, 4:12 pm

A Certain, Wandering Light

“What is the hardest task in the world?” The question is Emerson’s, in his essay, “Intellect.” His answer? To think. I would put myself in the attitude to look in the eye an abstract truth, and I cannot. I blench and withdraw on this side and on that. I seem to know what he meant, who said, No man can see God face to face and live. For example, a man explores the basis of civil government. Let him intend his mind without respite, without rest, in one direction. His best heed long time avails him nothing. Yet thoughts are …

Sentences — April 27, 2009, 5:07 pm

It’s Very Childlike

What is literary criticism for? The question came up years ago as the subject of a London Review of Books 25th anniversary forum that included Terry Eagleton, Frank Kermode, Zadie Smith and James Wood. “The ‘What is it for?’ question is interesting, it’s very childlike, isn’t it?” Eagleton said. “You know: What are people for? What is the moon for? —we’re all card-carrying functionalists.” Nonetheless, the question is useful, if not for obtaining its answer, than for segregating our expectations about the form. My early sense of the medium was as a question answering form: input a novel, output a …

Sentences — April 24, 2009, 2:30 pm

Weekend Read: «Cliquez ici pour visualiser le séquence!»

I’ve been unabashedly ludditic this week, arguing for (or, at least, expressing a love of) the handmade book. Just to reassure you that I’m every bit the modern guy, I should also confess to having spent an inordinate amount of my e-lunch-hours this week in virtual France. If you haven’t heard, a six-year project has come to fruition in which the 4,500 manuscript pages of Madame Bovary, archived at the University of Rouen, have been loosed on the Web. As the Independent reported: The project was launched six years ago as a tool for literary scholars. The municipal library in …

Sentences — April 23, 2009, 4:53 pm

Currents from the Moor

If the illustrated book for adults can, when the illustrations are undertaken by a hand less sophisticated than those of the author, produce an effect on the reader of distrust of the whole, the handmade book is one which aspires to, and regularly manages to, exalt the ideal of the book. Not that long ago, all books were handmade; now, most of the work is performed by armies of cleverly machined presses and binderies. Lost, in that consumptive progression, is not the beautiful book–for many special books made by machine do manage to be beautiful objects that function well. Lost …

Sentences — April 21, 2009, 3:04 pm

Woefully Too Small

Writers labor to make the visual world visible in fiction. There are many ways to do it. Here’s how William Makepeace Thackeray, age 33, made us see the world, in an incidental moment in Barry Lyndon: On Sunday, no sooner was my mother gone to church, than I summoned Phil the valet, and insisted upon his producing my best suit, in which I arrayed myself (although I found that I had shot up so in my illness that the old dress was wofully too small for me), and, with my notable copy of verses in my hand, ran down towards …

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A few miles north of San Francisco, off the coast of Sausalito, is Richardson Bay, a saltwater estuary where roughly one hundred people live out of sight from the world. Known as anchor-outs, they make their homes a quarter mile from the shore, on abandoned and unseaworthy vessels, doing their best, with little or no money, to survive. Life is not easy. There is always a storm on the way, one that might capsize their boats and consign their belongings to the bottom of the bay. But when the water is calm and the harbormaster is away, the anchor-­outs call their world Shangri-lito. They row from one boat to the next, repairing their homes with salvaged scrap wood and trading the herbs and vegetables they’ve grown in ten-gallon buckets on their decks. If a breeze is blowing, the air fills with the clamoring of jib hanks. Otherwise, save for a passing motorboat or a moment of distant chatter, there is only the sound of the birds: the sparrows that hop along the wreckage of catamarans, the egrets that hunt herring in the eelgrass, and the terns that circle in the sky above.

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Discussed in this essay: Nature’s Mutiny: How the Little Ice Age of the Long Seventeenth Century Transformed the West and Shaped the Present, by Philipp Blom. Liveright. 352 pages. $27.95. Origins: How Earth’s History Shaped Human History, by Lewis Dartnell. Basic Books. 352 pages. $18.99. The Fate of Rome: Climate, Disease, and the End of an Empire, by Kyle Harper. Princeton University Press. 440 pages. $35. “Something’s changing,” said our dear leader, “and it’ll change back again.” This particular flavor of gaslighting dates back several decades. Like any canny half-truth, it grafts insinuations onto an unassailable fact. It is true, …
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When I met Raúl Mijango, in a courtroom in San Salvador, he was in shackles, awaiting trial. He was paunchier than in the photos I’d seen of him, bloated from diabetes, and his previously salt-and-pepper goatee had turned fully white. The masked guard who was escorting him stood nearby, and national news cameras filmed us from afar. Despite facing the possibility of a long prison sentence, Mijango seemed relaxed, smiling easily as we spoke. “Bolívar, Fidel, Gandhi, and Mandela have also passed through this school,” he told me, “and I hope that some of what they learned during their years in prison we should learn as well.”

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1. As closing time at Moscow’s Tretyakov Gallery approached on May 25, 2018, Igor Podporin, a balding thirty-seven-year-old with sunken eyes, circled the Russian history room. The elderly museum attendees shooed him toward the exit, but Podporin paused by a staircase, turned, and rushed back toward the Russian painter Ilya Repin’s 1885 work Ivan the Terrible and His Son Ivan on November 16, 1581. He picked up a large metal pole—part of a barrier meant to keep viewers at a distance—and smashed the painting’s protective glass, landing three more strikes across Ivan’s son’s torso before guards managed to subdue him. Initially, police presented Podporin’s attack as an alcohol-fueled outburst and released a video confession in which he admitted to having knocked back two shots of vodka in the museum cafeteria beforehand. But when Podporin entered court four days later, dressed in the same black Columbia fleece, turquoise T-shirt, and navy-blue cargo pants he had been arrested in, he offered a different explanation for the attack. The painting, Podporin declared, was a “lie.” With that accusation, he thrust himself into a centuries-old debate about the legacy of Russia’s first tsar, a debate that has reignited during Vladimir Putin’s reign. The dispute boils down to one deceptively simple question: Was Ivan really so terrible?

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“Something’s changing,” said our dear leader, “and it’ll change back again.” This particular flavor of gaslighting dates back several decades. Like any canny half-truth, it grafts insinuations onto an unassailable fact. It is true, after all, that the global climate has changed drastically before, and that it will change again . . . some millennia from now. It is also true that many of these past changes brought on mass global death. Our concerns about climate change, to restate the obvious, are not for the climate itself. Our concerns are for our civilization, which has organized its infrastructure, trade, national borders, food production, and cities around specific climatic conditions under the assumption that they are permanent. Even a slight unsettling of these conditions will, like the shifting of tectonic plates, cause seismic upheavals. Unlike most matters of global political significance, there is no direct historical analogue for our situation—the unprecedented nature of the crisis is part of its horror. But human beings have endured climatic changes before. A growing historical subdiscipline (cli-hi?) has developed to examine how they managed it. With horrific suffering is the short answer, but Philipp Blom, a German translator and journalist who lives in Los Angeles, proposes in Nature’s Mutiny an artful corollary: that the hardships of a changing climate spurred the creation of what we think of as modern civilization, while at the same time inscribing within its genetic code the germ of its own demise.

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