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Art

Ikerasak

“Ikerasak,” a photograph by Tiina Itkonen. Courtesy the artist and Kashya Hildebrand Gallery, Zurich. This image accompanies the Findings section in the January 2014 issue of Harper’s Magazine.

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The Appearance of Collage #12

The Appearance of Collage #12, a painting by Ilya Kabakov, whose work was on view in December at Pace Gallery, in New York City. Courtesy the artist and Pace Gallery, New York…

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Landscape with Mountain

“Landscape with Mountain,” a hand-embroidered photograph by Julie Cockburn, whose work is on view this month at Yossi Milo Gallery, in New York City. © The artist. Courtesy Yossi Milo Gallery, New…

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The Pyramids of Gizeh near Cairo from an altitude of approx. 600 m, 21 February 1904

“The Pyramids of Gizeh near Cairo from an altitude of approx. 600 m, 21 February 1904,” courtesy Swiss Federal Archives for Historic Monuments, Eduard Spelterini Collection. This photograph accompanies “Flights of Fancy:…

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Smoke Painting #36

Smoke Painting #36, colored smoke and firework residue on paper, by Rosemarie Fiore, whose work was on view in October at Von Lintel Gallery, in New York City. Courtesy the artist and…

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Untitled

“Untitled,” a photograph by Osamu Yokonami, whose monograph Assembly was self-published last year. Courtesy the artist

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Singer Songwriter

Singer Songwriter, a painting by Dana Schutz, whose work is currently on view at the Hepworth Wakefield, in Wakefield, England. Courtesy the artist and Petzel, New York City

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[Untitled]

From a selection of drawings made during business meetings, by Andrea Dezsö, whose work was on view last month at Nancy Margolis Gallery, in New York City. Courtesy the artist and…

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Off-Stage

Off-Stage, a painting by Amy Bennett, whose work appeared in the Readings section of the October 2013 issue. Bennett's work was on view in July at Richard Heller Gallery, in Los…

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December 5th, 2012

“December 5th, 2012,” an archival pigment print by Zipora Fried, whose work appeared in the Readings section of the October 2013 issue. Fried's work was on view in February at the…

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Smoke Bomb

Smoke Bomb, a painting by Alex Roulette, whose work was featured in the Readings section of our September 2013 issue. Roulette’s work was on view in May at Fisher Landau Center…

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Relationship #5

"Relationship #5," a photograph by Nikolay Bakharev, whose work was featured in the Readings section of our September 2013 issue. On view in July at Julie Saul Gallery in New York…

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Food Cart, Cairo, November 2011

Food cart, Cairo, November 2011, a painting by Rebecca Bird, whose work was featured in the Readings section of our September 2013 issue. Bird's work will be on view next year…

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Storm Over Field, Lake Pointsett, South Dakota, 2010

"Storm Over Field, Lake Pointsett, South Dakota, 2010," a photograph by Mitch Dobrowner, whose work was featured in the Readings section of our August 2013 issue. Dobrowner's new monograph Storms will be published next…

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Oil and Water: Extracting Petroleum, Exterminating Nature

“Oil and Water: Extracting Petroleum, Exterminating Nature,” by Jakob Rosenzweig (cartography) and Jacqueline Bishop (artwork). This map was produced for Unfathomable City: A New Orleans Atlas, co-edited by Rebecca Solnit and Rebecca…

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Untitled #4 (Flux series)

"Untitled #4 (Flux series)," a photograph by Karine Laval, whose work was featured in the Readings section of our August 2013 issue. An exhibition of Laval's work was on view in May…

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0232

"0232," a photograph from Linda Fregni Nagler's series The Hidden Mother, which was featured in the Readings section of our August 2013 issue. All 997 daguerreotypes, tintypes, and albumen prints that…

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Not in These Shoes

Not in These Shoes, an enamel painting on aluminum by Marilyn Minter, whose work was featured in the Readings section of our July 2013 issue. An exhibition of her work was on view…

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Underworld XIII

Underworld XIII, a collage by John Stezaker, whose work was featured in the Readings section of our July 2013 issue. Nude and Landscape, an exhibition of Stezaker’s collages, closed earlier this month at Petzel,…

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The Visit

The Visit, by Kim Dorland, whose work was featured in the Readings section of our June 2013 issue. Ghosts of You and Me, an exhibition of Dorland's paintings, is on view through June 8 at…

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Cinco Estrelas Encampment, Mato Grosso, Brazil

The Cinco Estrelas encampment in northern Mato Grosso, where residents are fighting to gain access to land granted them by the Brazilian government. Photograph © Nadia Shira Cohen, whose work from Mato Grosso accompanied…

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Annotations on an Exterior Shot of the Overlook Hotel

Timberline Lodge, a building on the south side of Oregon’s Mount Hood that served as the exterior for the Overlook Hotel, annotated with Stanley Kubrick’s instructions to the crew of The…

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Former Louisiana Leper Home, Carville, La.

A tree on the grounds of the Gillis W. Long National Guard facility, formerly the Louisiana Leper Home, in Carville, Louisiana. Wet-plate collodion photograph © Lisa Elmaleh, from a series that accompanied "The Separating…

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Painting Transport, Shenzhen

Men carry a painting in Shenzhen's Dafen neighborhood. Dafen's artists produce original works as well as millions of inexpensive reproductions, which are sold to hotels around the world. Photograph © Tomas van Houtryve/VII, whose…

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Grand Central: Inside/Outside

Grand Central: Inside/Outside, a mixed-media work on paper by Olive Ayhens, was featured in the Readings section of our June issue. It was selected by New York City's Metropolitan Transit Authority as…

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Vermilion Flycatcher, Arizona, May 1941

"Vermilion Flycatcher, Arizona, May 1941." Eliot Porter's work will be on view through July as part of Artist's Choice: Trisha Donnelly at the Museum of Modern Art in New York City. © Amon Carter Museum…

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Wait and watch awhile (high)

Wait and watch awhile (high) was featured in the May 2013 Readings section. Paul Wackers's work will be on view in June at Narwhal gallery in Toronto. Courtesy the artist and A.L.I.C.E. Gallery, Brussels

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Untitled (Sumner, Mississippi, Cassidy Bayou in Background)

"Untitled (Sumner, Mississippi, Cassidy Bayou in Background)" is now on view as part of At War with the Obvious: Photographs by William Eggleston, at the Metropolitan Museum of Art in New York…

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