“Mark Under Breaking Wave,” a photograph by Wayne Levin, whose work is currently on view at Clic Bookstore & Gallery, in New York City. © The artist. Courtesy Clic Bookstore & Gallery, New York City. This image…
Untitled Polaroids by Tom Bianchi, whose work was on view last month at Fahey/Klein Gallery, in Los Angeles. Bianchi’s monograph Fire Island Pines, Polaroids 1975–1983 was published last year by Damiani Editore. © The artist. These…
“Dennis Rhodes, Hawesville, Kentucky, 2013,” by Lisa Elmaleh. Elmaleh, a Harper’s Magazine contributing artist, will show her new series of tintype photographs of old-time musicians at an exhibition called American Folk, opening Thursday, July 17, at Foley Gallery in New York…
From Swim: The Water in Between, a photographic series by Francine Fleischer. Courtesy the artist. This photograph accompanies the Findings section of the July 2014 issue of Harper’s Magazine.
“AUTOMOBILE. Field Sobriety Test. Photographer Unknown. 07-06-1958,” one in a series of photographs from the archives of the Los Angeles Police Department on view in April at Paris Photo LA. © Los Angeles…
“Clover Tangle,” a photograph from the series Nurturing Time, Life in a Backyard Garden, by David Wolf, whose work was on view in February at the Center for Photographic Art, in Carmel,…
“Silverback Gorilla,” from the Posters Bitten by the Artist’s Dog series, by Iván Krassoievitch. Courtesy the artist and Machete, Mexico City and Buenos Aires. This image accompanied the Findings section of the June 2014 issue…
Firepeople, a painting by Jules de Balincourt, whose work was on view in April at the Montreal Museum of Fine Arts. © The artist. Courtesy the artist and Victoria Miro, London. This painting appears in the…
Take It from the Top, a painting by Olive Ayhens, whose work is on view this month at Lori Bookstein Fine Art, in New York City. © The Artist. This painting appears in the Readings section…
“Shot in Mexico — On the Impossibility of Imagining the Numbers of Dead and Disappeared #3,” an archival pigment print by Jaki Irvine. Courtesy the artist; Kerlin Gallery, Dublin; and Frith Street Gallery,…
Sheer Cardigan and Avenida Amsterdam, paintings by Peter F. Gross, whose work was on view in January at Linda Hodges Gallery, in Seattle. Courtesy the artist and Linda Hodges Gallery, Seattle. This photograph appears in…
“London” (detail), by Bill Brandt © Bill Brandt Archive Ltd. This photograph appears on the cover of the May 2014 issue of Harper’s Magazine.
“Afarsek (Peach),” a photograph by Tal Shochat, whose work was on view last March at Shulamit Gallery, in Venice, California. Courtesy the artist and Andrea Meislin Gallery, New York City. This photograph appears…
Photograph by Zhang Xiao from his monograph Shanxi, published last December by Little Big Man. Courtesy the artist and Little Big Man. This photograph appears in the Readings section of the April 2014 issue of Harper’s Magazine.
Call Me Sometime, a painting by Angela Dufresne, whose work will be on view in September at Monya Rowe Gallery, in New York City. Courtesy the artist and Monya Rowe Gallery, New York City. This…
Untitled (Southwest), a painting by Cobi Moules, whose work was on view last October at Lyons Wier Gallery, in New York City. Courtesy the artist. This painting appears in the Readings section of the April…
Pie Fight Interior 2, a painting by Adrian Ghenie, whose work was on view last May at Pace Gallery, in New York City. © The artist. Courtesy Pace Gallery, New…
The Black Sea, near Sukhum, and a fishing boat (inset) All photographs © mirzOyan The memorial at the site of the Battle of Gumista, and a gravestone of a…
An untitled photograph by Kim Thue from Dead Traffic, a book of his work in Sierra Leone, published in 2012 by dienacht Publishing. Courtesy the artist and dienacht Publishing. This photograph appears in the…
“Buddhist Retreat near Pietermaritzburg, Kwazulu Natal,” a photograph by Santu Mofokeng, whose work was on view in November as part of the German Pavilion at the Venice Biennale. Courtesy the artist and…
“Pacific Ocean,” a shredded photograph by Gloria Baker Feinstein. This image accompanies “Memory’s Passages,” by Sarah Manguso, in the February 2014 issue of Harper’s Magazine.
Study for Vignette 15, a painting by Kerry James Marshall, whose work was on view in December at the National Gallery of Art, in Washington, D.C. Courtesy the artist and Koplin del…