Monday Gallery | Harper's Magazine

Get the Duck, a painting by Oona Brangam-Snell, whose work is on view through October 30 at Mrs . Gallery, in Queens, New York.

Courtesy the artist and Mrs. Gallery, Queens, New York

“Fire masks, Downshire Hill, London, England 1941,” a photograph by Lee Miller, whose work is on view through January at the Dalí Museum, in St. Petersburg, Florida. A biography of Miller, The Lives of Lee Miller, will be published this week by Thames & Hudson.

“Untitled, 2017–20,” a photograph from The Roses series by Adam Pape, whose work was on view last week with the Aperture Foundation at the Armory Show, in New York City.

Hood’s Red Rider, No. 2, vegetable color, dry pigment, watercolor, gold paint, and tea on wasli paper by Shahzia Sikander, whose work is on view through September 26 at the Morgan Library and Museum, in New York City.

The Wholesaler and Ironmonger Dimpfel Family Curiosity Cabinet, 1668, gouache and punched gold on parchment, by Joseph Arnold, from Conchophilia: Shells, Art, and Curiosity in Early Modern Europe, which was published this month by Princeton University Press.

Courtesy Museum Ulm, Germany, and Princeton University Press

Round a Memory (The Artists), oil and glitter on canvas by Briana McLaurin, whose work is on view through September 2 at Thierry Goldberg, in New York City.

Courtesy the artist and Thierry Goldberg, New York City

“Carol's Place, Ovando, Montana,” a photograph by Ingeborg Gerdes, whose work is on view through August 28 at Blue Sky Gallery, in Portland, Oregon.

Birth of Venus, a mixed-media artwork by Kinke Kooi, whose work is on view through September 4 at Adams and Ollman, in Portland, Oregon.

Courtesy the artist and Adams and Ollman, Portland, Oregon

Swannery, a painting by Mamma Andersson, whose work is on view through October 10 at the Louisiana Museum of Modern Art, in Humlebæk, Denmark.

Courtesy the artist; Private Collection, Dallas; Galleri Magnus Karlsson; Stephen Friedman Gallery; and David Zwirner

A photograph by Fumi Ishino from the monograph Tinted Lines, which was published in April by torch press. Ishino’s work is on view through August 31 with Assembly.

“Spring, Madrid, Spain,” a photograph by Bambi, from the book Women Street Photographers, which was published in March by Prestel.

Courtesy the artist

A photograph by Paul Rousteau from the monograph Seascapes, which was published last month by Loose Joints.

Fourth of July, a painting by Bo Bartlett, whose work was on view last month at Miles McEnery Gallery, in New York City.

Courtesy the artist and Miles McEnery Gallery, New York City

“Windowsill,” a photograph by Kelli Connell, whose work is on view through August 31 at the Alice Austen House, in Staten Island, New York.

Courtesy the artist and Alice Austen House

Ancient Ritual, a painting by Tai Shan Schierenberg, whose work is on view through July 10 at Flowers Gallery, in London.

Sore Loser, oil, molding paste, glass beads, and pumice on canvas, by Sasha Gordon, whose work is on view through July 10 at Matthew Brown Los Angeles.

Courtesy the artist and Matthew Brown Los Angeles

“Untitled (bowl cut),” circa 1986, a photograph by Peggy Levison Nolan, whose work is on view through August 22 at the Patricia & Phillip Frost Art Museum, in Miami.

Courtesy the artist and Dina Mitrani Gallery, Miami

Cascades, Plexiglas, engineered wood, piano wire, ABS strip, acrylic paint, and ink on a birch-plywood panel, by Lucy Williams, whose work is on view through July 3 at Berggruen Gallery, in San Francisco.

Courtesy the artist and Berggruen Gallery

“Patricia Fitzgerald and Kay Guinness, Cherry Grove Beach, September 1952,” by an unknown photographer, which is on view through October 11 in the exhibition Safe/Haven: Gay Life in 1950s Cherry Grove, at the New-York Historical Society.

Courtesy the Cherry Grove Archives Collection. Gift of Gay Nathan and Julie Paradise

Lemon, American Wonder, and Orange, Washington Navel, by E. I. Schutt, watercolors from An Illustrated Catalog of American Fruits & Nuts: The U.S. Department of Agriculture Pomological Watercolor Collection, which was published this month by Atelier Éditions.

Courtesy the USDA

Secret Garden, a painting by Danielle McKinney, whose work is on view through May 15 at Fortnight Institute, in New York City.

Courtesy the artist and Fortnight Institute, New York City

The Windsor Championship Dog Show, England, 2007. Photograph by Martin Parr from Magnum Dogs, which was published last month by Thames & Hudson.

Nightshift B15, a painting by Aaron Gilbert, whose work is on view through May 1 in the exhibition 1981–2021 at P·P·O·W, in New York City.

Courtesy the artist and P·P·O·W, New York City

Blossom and Peat, a hand-embroidered photograph by Julie Cockburn, whose work is on view through May 15 at Hopstreet Gallery, in Brussels.

“Manuel, Desierto de Sonora,” 1979, a photograph by Graciela Iturbide, whose work is on view through May 2 with Patricia Conde Galería, in Mexico City.

Peace, 1956, a painting by Jacob Lawrence. The painting is Panel 26 of Lawrence’s series Struggle: From the History of the American People, 1954–56, which is on view through May 23 at the Seattle Art Museum.

“Lynette Yiadom-Boakye, 2017/1438 (Gregorian/Hijri),” a photograph framed by Tomato Squeezies, by Hassan Hajjaj, whose work is on view through May 29 at Yossi Milo Gallery, in New York City.

Locked in a Dark Calm, collage and graphite on paper, by Tameca Cole, whose work is on view through April 5 in the exhibition Marking Time: Art in the Age of Mass Incarceration, at MoMA PS1, in Queens, New York.

Overflow, a painting by Ginny Casey, whose work is on view through April 1 at Half Gallery, in New York City.

Feast in the Neon Jungle: Last Picnic in Providence, a painting by Kate Pincus-Whitney, whose work is on view through March 20 at Fredericks & Freiser, in New York City.

Courtesy the artist and Fredericks & Freiser, New York City