On July 7, we published on our website an open letter signed by more than one hundred and fifty prominent writers, artists, and scholars. “The free exchange of information and…
Ever since a New York Times newsroom revolt over a controversial op-ed, American media—if not American society at large—has been engaged in another round of debate about the limits of…
By Dubravka Ugrešic, from an essay that was published in the September/October issue of World Literature Today. Ugrešic is the author of more than a dozen books. She was the…
By Osita Nwanevu. Nwanevu is a recent graduate of the University of Chicago and the editor of the South Side Weekly.
By Hannah Black. Black is an artist and writer from the U.K. She is the author of Dark Pool Party, which was published last month by Dominica/Arcadia Missa.
“By committing to the great emotional extremes demanded by Greek tragedy,” says Bryan Doerries, author of The Theater of War, “the actors are in effect saying to the audience: 'If you want to match our emotional intensity, that would be fine.'”