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October 2020 Issue [Reviews]

The Well-Tempered Synthesizer

Wendy Carlos’s music of the spheres
Illustration by Ben Giles. Source photographs: Wendy Carlos in her New York City recording studio, 1979 © Leonard M. DeLessio/Corbis/Getty Images; Moog synthesizer © Granger

Illustration by Ben Giles. Source photographs: Wendy Carlos in her New York City recording studio, 1979 © Leonard M. DeLessio/Corbis/Getty Images; Moog synthesizer © Granger

[Reviews]

The Well-Tempered Synthesizer

Wendy Carlos’s music of the spheres
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Discussed in this essay:

Wendy Carlos: A Biography, by Amanda Sewell. Oxford University Press. 264 pages. $34.95.

Electronic music existed in the United States before the majority of Americans had access to electricity. The lineage can be disorienting that way. It is older than hip-hop or rock, certainly, but then it is also older than doo-wop, older than bluegrass or big-band jazz. It’s old enough to have predated futurism, which, with its call for a new music that could “conquer the infinite variety of noise-sounds,” might otherwise seem to have conjured it into existence. It’s old enough,…

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