“I became curious about how a person might react to the kind of hardships that exist in the wild. It became one of the preoccupations of the book.”
Nathaniel Raymond on CIA interrogation techniques.
Eula Biss discusses vaccinations, motherhood, and metaphors
Sheila Heti, Heidi Julavits, and Leanne Shapton discuss how the clothes we wear shape our lives
William Deresiewicz discusses the miseducation of the American elite
Astra Taylor discusses the potential and peril of the Internet as a tool for cultural democracy
Christopher Beha discusses sex tapes as literary vehicle, the celebrity impulse, and the problematic absence of religion in American literature
Jeff Sharlet on his collection of essential dispatches, reports, confessions, and other essays on American belief
Rivka Galchen © Sandy Tait The characters in Rivka Galchen’s new collection, American Innovations, are as surprised and confused by time travel, mysterious growths, and encounters with the dead as they…
Mark Denbeaux on the NCIS cover-up of three “suicides” at Guantánamo Bay Detention Camp
Gareth Porter on the true history of Iran’s nuclear program
Alan Lightman on the theory of everything, technology as mediator of human experience, and empathizing with the religious impulse
Jennifer Percy on lyricism in nonfiction, the demons of American veterans, and circumventing expected narratives of PTSD
Daniel Alarcón on the actor as character, foreshadowing as bravado, and the visceral nature of curiosity
Wil S. Hylton on grief, narrative, and the difficulty of recovering a sunken past
Greg Sestero and Tom Bissell on life inside “The Room,” the greatest bad movie ever made
Jeremy Dauber on the remarkable life and afterlife of the man who created Tevye the Dairyman
Dame Margaret Drabble on the essayistic voice in fiction and North London anthropology
Audrey Petty on the history of Chicago public housing, the intimacy of oral histories, and reconstructing demolished communities
J. B. MacKinnon on human efforts to engineer nature, and whether we can restore what we've lost
Rebecca Solnit on how personal stories can fail to satisfy, the architectural space of the book, and the pleasures with which the landscapes of our lives are salted
Ben Stroud on getting to know a character, the balance between research and imagination, and the writer’s desire for recognition
Alexander Maksik on Charles Taylor’s Liberia, the oldest story in the world, and the trouble with elegant variation
Mike Paterniti on the power of cheese, the pleasures of digression, and the War of the Roses method of book writing
Anna Badkhen on life in rural Afghanistan and the friction between violence and beauty
Lucas Mann on hope and change in a minor-league-baseball city
Daniel Brook on the lessons of four great Eastern cities that sought to imitate the West