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A photograph by Tony Dočekal, from her book The Color of Money and Trees, which was published last year by VOID © The artist. Courtesy VOID
“Cervia, 1973”, a photograph by Guido Guidi, from his book Col tempo, 1956–2024, which was published by MACK. Guido’s retrospective is on view through April 24 at MAXXI, in Rome. Courtesy the artist and MACK
The Spade, a painting by Zoë Argires, whose work is on view as part of the exhibition Love Poems through April 26 at Anton Kern Gallery, in New York City. Courtesy the artist and Anton Kern Gallery
“Heliopolis Tramway, Cairo, Egypt, 2010” a photograph by Anthony Hamboussi, from his book Cairo Dream, which is being published this month by Monolith Editions © The artist. Courtesy Monolith Editions
A photograph by Tony Dočekal, from her book The Color of Money and Trees, which was published last year by VOID © The artist. Courtesy VOID
“Cervia, 1973”, a photograph by Guido Guidi, from his book Col tempo, 1956–2024, which was published by MACK. Guido’s retrospective is on view through April 24 at MAXXI, in Rome. Courtesy the artist and MACK
The Spade, a painting by Zoë Argires, whose work is on view as part of the exhibition Love Poems through April 26 at Anton Kern Gallery, in New York City. Courtesy the artist and Anton Kern Gallery
“Heliopolis Tramway, Cairo, Egypt, 2010” a photograph by Anthony Hamboussi, from his book Cairo Dream, which is being published this month by Monolith Editions © The artist. Courtesy Monolith Editions
A photograph by Tony Dočekal, from her book The Color of Money and Trees, which was published last year by VOID © The artist. Courtesy VOID
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“The sole federal execution chamber in the United States is in a place called Terre Haute—the high ground—in far western Indiana, named for a swath of land that rises above the nearby Wabash River. The surrounding country is in fact flat and wide, precipitously exposed to the sky.”
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